Actresses -- Great Britain -- Biography; Oldfield, Anne, 1683-1730; Theater -- Great Britain -- History -- 18th century
[Footnote A: Pope had ventured to sneer at Philips' "Pastorals."]
"The players, who know I am very much their friend," says the
_Spectator_[A] "take all opportunities to express a gratitude to me
for being so. They could not have a better occasion of obliging me,
than one which they lately took hold of. They desired my friend Will
Honeycomb to bring me the reading of a new tragedy; it is called 'The
Distressed Mother.' I must confess, though some days are passed since
I enjoyed that entertainment, the passions of the several characters
dwell strongly upon my imagination; and I congratulate the age, that
they are at last to see truth and human life represented in the
incidents which concern heroes and heroines. The style of the play
is such as becomes those of the first education, and the sentiments
worthy those of the highest figure. It was a most exquisite pleasure
to me, to observe real tears drop from the eyes of those who had long
made it their profession to dissemble affliction; and the player, who
read, frequently threw down the book, until he had given vent to
the humanity which rose in him at some irresistible touches of the
imagined sorrow."
[Footnote A: _Spectator_, No. 290, February 1, 1711-12. This essay has
been credited to Steele.]
This picture of woe would hardly suit the theories of those
hard-hearted players who believe that the true artist is never
"carried away," or affected by the pathos of his part. Surely, the
scene is ridiculous rather than imposing, and one is tempted to
suggest, albeit with bated breath, that the _Spectator_ was indulging
in a bit of good-natured exaggeration. Exaggeration did we say? The
modern newspaper writer, who is always glad, when off duty, to call
things by their plain names, would brand the notice of the "Distressed
Mother" as a bare-faced puff. And who could quarrel with his
scepticism? Actors are not in the habit of weeping over the reading of
a play; they have little time for such briny luxury.
Yet in this very number of the _Spectator_ we have George Powell, who
was cast for Orestes in Mr. Philips' tragedy, writing that the grief
which he is required to portray will seem almost real enough to choke
his utterance. Here is what the hypocrite says:
"Mr. SPECTATOR,--I am appointed to act a part in the new tragedy
called 'The Distressed Mother.' It is the celebrated grief of Orestes
which I am to personate; but I shall not act it as I ought, for I
shall feel it too intimately to be able to utter it. I was last night
repeating a paragraph to myself, which I took to be an expression
of rage, and in the middle of the sentence there was a stroke of
self-pity which quite unmanned me. Be pleased, Sir, to print this
letter, that when I am oppressed in this manner at such an interval, a
certain part of the audience may not think I am out; and I hope with
this allowance, to do it with satisfaction.--I am, Sir, your most
humble servant, GEORGE POWELL."
Public-domain text, read in full here on John Shaqi.
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