Finally the combined charms of Oldfield and the "Distressed Mother" triumphed, and young beaux who had helped to swell the riot were glad to come back meekly to Drury Lane and extol the attractions of Andromache. In the play itself Nance must have been all that the troublous part suggested, but it was when she tripped on gaily and gave the humorous epilogue that the house found her most delightful. She, who could reign so imperially in tragedy, had glided back to her better-loved kingdom of comedy, and what cared her captivated hearers if this self-same epilogue made an inharmonious ending to a serious play. It was quite enough that Andromache, with all her sufferings dispelled, should say melodiously: "I hope you'll own, that with becoming art, I've play'd my game, and topp'd the widow's part. My spouse, poor man, could not live out the play, But dy'd commodiously on wedding-day,[A] While I his relict, made at one bold fling, Myself a princess, and young Sty a King. You, ladies, who protract a lover's pain, And hear your servants sigh whole years in vain; Which of you all would not on marriage venture, Might she so soon upon her jointure enter?" [Footnote A: This is a coy reference to Pyrrhus, who was murdered while his marriage to Hector's widow was being celebrated with royal pomp. As he fell, it will be remembered, the King placed his crown upon the head of Andromache.] An epilogue leading off with these lines was hardly an appropriate ending to a tragedy, yet are we fastidious enough in these days to sneer at the anomaly? We have banished prologue and afterpiece as something old-fashioned and inartistic, but never turn one solitary eyelash when Hamlet follows up his death by rushing before the curtain and grinning his thanks. Desdemonas who come forward, after the smothering scene, to receive flowers, and Romeos and Juliets who rise from the tomb that they may bow and smirk before an audience--while we have such as these among us, let us not cast stones at the early playgoer. Addison has left, in the _Spectator_, a delightful story of dear old Sir Roger de Coverley's experience with the "Distressed Mother." Sir Roger, it appears, confessed that he had not seen a play for twenty years, and was very anxious to know "who this distressed mother was; and upon hearing that she was Hector's widow, he told me that her husband was a brave man, and that when he was a schoolboy he had read his life at the end of the dictionary."[A] So the old gentleman, accompanied by the _Spectator_, Captain Sentry, and a retinue of servants, set out in state for Drury Lane, and on arriving there went into the pit. [Footnote A: _Spectator_, No. 335.]