Actresses -- Great Britain -- Biography; Oldfield, Anne, 1683-1730; Theater -- Great Britain -- History -- 18th century
"But among all our tragic artifices," he says, "I am the most offended
at those which are made use of to inspire us with magnificent ideas of
the persons that speak. The ordinary method of making an hero, is to
clap a huge plume of feathers upon his head which rises so very high,
that there is often a greater length from his chin to the top of his
head than to the sole of his foot. One would believe that we thought
a great man and a tall man the same thing. This very much embarrasses
the actor, who is forced to hold his neck extremely stiff and steady
all the while he speaks; and notwithstanding any anxieties which he
pretends for his mistress, his country, or his friends, one may see by
his action, that his greatest care and concern is to keep the plume of
feathers from falling off his head. For my own part, when I see a man
uttering his complaints under such a mountain of feathers, I am apt
to look upon him rather as an unfortunate lunatic, than a distressed
hero.
"As these superfluous ornaments upon the head make a great man,
a princess generally receives her grandeur from those additional
encumbrances that fall into her tail; I mean the broad sweeping train
that follows her in all her motions, and finds constant employment for
a boy who stands behind her to open and spread it to advantage. I do
not know how others are affected at this sight, but I must confess my
eyes are wholly taken up with the page's part; and, as for the queen,
I am not so attentive to any thing she speaks, as to the right
adjusting of her train, lest it should chance to trip up her heels, or
incommode her, as she walks to and fro upon the stage. It is, in my
opinion, a very odd spectacle to see a queen venting her passion in
a disordered motion, and a little boy taking care all the while that
they do not ruffle the tail of her gown. The parts that the two
persons act on the stage at the same time are very different. The
princess is afraid lest she should incur the displeasure of the king
her father, or lose the hero, her lover, whilst her attendant is only
concerned lest she should entangle her feet in her petticoat."
Public-domain text, read in full here on John Shaqi.
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