Actresses -- Great Britain -- Biography; Oldfield, Anne, 1683-1730; Theater -- Great Britain -- History -- 18th century
Here, verily, was an actress who could set the town wild by the beauty
and exquisite taste of her costumes, and who was conscientious enough,
nevertheless, to keep the millinery phase of her art modestly in the
background. You, ladies, who depend for theatrical success upon the
elegance of your gowns, and fondly believe that fairness of face and
litheness of figure will atone for a thousand dramatic sins, take
pattern by the industry of Oldfield. It will be a much better pattern
than those over which you are accustomed to worry your pretty heads.
The enterprising dressmakers who go to the play to get inspiration for
new clothes may cease to worship you, but think of the other sort of
inspiration which you will give to lovers of the drama! Then shall
there be no more announcements to the effect that, "Miss Lighthead
will act Lady Macbeth in ten Parisian gowns made by Worth," or that
when she treats us to the death of Marguerite Gautier (the aforesaid
Mdlle. Gautier dying, as everybody knows, in actual poverty) "Miss
Lighthead will wear diamonds representing one hundred thousand
dollars."
There is not much to say about the domesticity of Nance and Arthur
Maynwaring. How could there be? The lady kept house for her lord and
master with grace and modesty (if it seems not paradoxical to mention
modesty in this alliance), and it is safe to believe that more than
one member of the Kit-Cat Club often tasted a bit of beef and pudding,
and sipped a glass of port, at the table of the happy pair. Congreve,
the particular friend and _protégé_ of the host, must have dined more
than once with brilliant Nance, regaling his plump being with the joy
of food and drink, and wondering, perhaps, how any one could prefer
the hostess to his particular _chère-amie_, Anne Bracegirdle. And
Oldfield, of what did she think as she gazed into the rounded face of
Mr. Congreve, or listened to the merry wit of her devoted liege? Did
the ghost of poor, dead Farquhar ever arise before her, the reminder
of a day when love was younger and passion stronger? Let us ask no
impertinent questions.
What with acting, and supping, and an easy conscience, Mistress
Oldfield gaily trod the primrose path of dalliance, and Cupid hovered
near, albeit there was no law to chain him to the scene. But one day
he took to his wings and flew away, after witnessing the untimely
death (November 1712) of Mr. Maynwaring. The latter made his exit with
the assistance of three physicians, and Nance was near to smooth the
departure.[A] Then came the funeral, and after that Mrs. Mayn--Mrs.
Oldfield dried her lovely eyes (did she not have enough weeping to do
when she played in tragedy?), and began once more to think upon the
joys of existence.
Public-domain text, read in full here on John Shaqi.
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