"They brought in good and bad." This is a cardinal point in the method of divine mercy, and therefore it is articulately inserted in the picture. The scene is taken from life in the world; the conceptions accordingly, and the phraseology correspond with the circumstances. In society at large, and in every section of society such as the rich or the poor, two classes are found distinguished by their moral character, and in ordinary language designated the good and the bad. The thought and the style of ordinary life are adopted in the parable, and every reader understands easily what is meant. Every great community has its virtuous poor and its vicious poor. The invitations of the Gospel come to fallen human kind, and to all without respect either of persons or of characters. Apart from Christ and prior to regeneration the distinction between bad and good is only an earthly thing: in God's sight and in prospect of the judgment, there is none good, no not one. There are not two roads from earth to heaven: there is only one gate open, and by it all the saved enter. It is not the man's goodness that recommends him to God's favour: the worst is welcome through the blood of Christ, and the best is rejected if he approach by any other way. Nor does it follow thence that the Judge is indifferent to righteousness; that which the unreconciled offer to him as righteousness is in his sight sin; and the fact of offering it as a ground of justification aggravates the offerer's guilt. PART II.--THE WEDDING GARMENT. We have here two parables in one. In their union and relations they resemble the two seed-stones which are sometimes found within one fruit, attached to each other, and wrapped in the same envelope, but possessing each its own separate organization, and its own independent germ of life. The parable of the prepared, offered, and rejected feast, and the parable of the wedding garment, although actually united in the Lord's ministry and the evangelic record, are in their own nature distinct, whether you consider the secular scenes delineated or the spiritual lessons which they convey. When the wedding was furnished with guests the king came in to see them. The representation is in strict accordance with the relations of the parties and the customs of society both in ancient and modern times. When a citizen entertains his equals he must himself be first in the festal hall to welcome the guests as they successively arrive; but when a sovereign invites subjects to his palace he appears among them only when the company have all assembled.