The Parent's Assistant; Or, Stories for ChildrenEdgeworth, Maria
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The Parent's Assistant; Or, Stories for Children
Edgeworth, Maria
Children's stories; Conduct of life -- Juvenile fiction
Leonora, on the contrary, who had been educated by her mother in a manner
more suited to her sex, had a character and virtues more peculiar to a
female. Her judgment had been early cultivated, and her good sense
employed in the regulation of her conduct. She had been habituated to
that restraint, which, as a woman, she was to expect in life, and early
accustomed to yield. Compliance in her seemed natural and graceful; yet
notwithstanding the gentleness of her temper, she was in reality more
independent than Cecilia. She had more reliance upon her own judgment,
and more satisfaction in her own approbation. The uniform kindness of
her manner, the consistency and equality of her character, had fixed the
esteem and passive love of her companions.
By passive love we mean that species of affection which makes us
unwilling to offend rather than anxious to oblige, which is more a habit
than an emotion of the mind. For Cecilia her companions felt active
love, for she was active in showing her love to them.
Active love arises spontaneously in the mind, after feeling particular
instances of kindness, without reflection on the past conduct or general
character. It exceeds the merits of its object, and is connected with a
feeling of generosity, rather than with a sense of justice.
Without determining which species of love is the most flattering to
others, we can easily decide which is the most agreeable feeling to our
minds. We give our hearts more credit for being generous than for being
just; and we feel more self-complacency when we give our love
voluntarily, than when we yield it as a tribute which we cannot withhold.
Though Cecilia’s companions might not know all this in theory, they
proved it in practice; for they loved her in a much higher proportion to
her merits than they loved Leonora.
Each of the young judges were to signify their choice by putting a red or
a white shell into a vase prepared for the purpose. Cecilia’s colour was
red, Leonora’s white.
In the morning nothing was to be seen but these shells; nothing talked of
but the long expected event of the evening. Cecilia, following Leonora’s
example, had made it a point of honour not to inquire of any individual
her vote, previously to their final determination.
Public-domain text, read in full here on John Shaqi.
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