The Paris Sketch Book of Mr. M. A. TitmarshThackeray, William Makepeace
General
The Paris Sketch Book of Mr. M. A. Titmarsh
Thackeray, William Makepeace
Paris (France) -- Description and travel
We know nothing of M. Emile de Girardin, except that, in a duel, he
shot the best man in France, Armaud Carrel; and in Girardin’s favor it
must be said, that he had no other alternative; but was right in
provoking the duel, seeing that the whole Republican party had vowed
his destruction, and that he fought and killed their champion, as it
were. We know nothing of M. Girardin’s private character: but, as far
as we can judge from the French public prints, he seems to be the most
speculative of speculators, and, of course, a fair butt for the malice
of the caricaturists. His one great crime, in the eyes of the French
Republicans and Republican newspaper proprietors, was, that Girardin
set up a journal, as he called it, “franchement monarchique,”—a journal
in the pay of the monarchy, that is,—and a journal that cost only forty
francs by the year. The National costs twice as much; the Charivari
itself costs half as much again; and though all newspapers, of all
parties, concurred in “snubbing” poor M. Girardin and his journal, the
Republican prints, were by far the most bitter against him, thundering
daily accusations and personalities; whether the abuse was well or ill
founded, we know not. Hence arose the duel with Carrel; after the
termination of which, Girardin put by his pistol, and vowed, very
properly, to assist in the shedding of no more blood. Girardin had been
the originator of numerous other speculations besides the journal: the
capital of these, like that of the journal, was raised by shares, and
the shareholders, by some fatality, have found themselves wofully in
the lurch; while Girardin carries on the war gayly, is, or was, a
member of the Chamber of Deputies, has money, goes to Court, and
possesses a certain kind of reputation. He invented, we believe, the
“Institution Agronome de Coetbo,”[*] the “Physionotype,” the “Journal
des Connoissances Utiles,” the “Pantheon Littéraire,” and the system of
“Primes”—premiums, that is—to be given, by lottery, to certain
subscribers in these institutions. Could Robert Macaire see such things
going on, and have no hand in them?
* It is not necessary to enter into descriptions of these various
inventions.
Accordingly Messrs. Macaire and Bertrand are made the heroes of many
speculations of the kind. In almost the first print of our collection,
Robert discourses to Bertrand of his projects. “Bertrand,” says the
disinterested admirer of talent and enterprise, “j’adore l’industrie.
Si tu veux nous créons une banque, mais là, une vraie banque: capital
cent millions de millions, cent milliards de milliards d’actions. Nous
enfonçons la banque de France, les banquiers, les banquistes; nous
enfonçons tout le monde.” “Oui,” says Bertrand, very calm and stupid,
“mais les gendarmes?” “Que tu es bête, Bertrand: est-ce qu’on arrête un
millionaire?” Such is the key to M. Macaire’s philosophy; and a wise
creed too, as times go.
Public-domain text, read in full here on John Shaqi.
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