The Paris Sketch Book of Mr. M. A. TitmarshThackeray, William Makepeace
General
The Paris Sketch Book of Mr. M. A. Titmarsh
Thackeray, William Makepeace
Paris (France) -- Description and travel
“Thus speaking,” says Angel, “Father Hegesippus tore away his robe,
which I was holding in my supplicating hands. In a sort of wildness I
still grasped it tighter; he pushed me fiercely from him, and I fell
with my face towards the ground. He quitted me, closing violently after
him the door of the sacristy, in which this scene had passed. I was
left alone in the darkness. Either from the violence of my fall, or the
excess of my grief, a vein had burst in my throat, and a haemorrhage
ensued. I had not the force to rise; I felt my senses rapidly sinking,
and, presently, I lay stretched on the pavement, unconscious, and
bathed in my blood.”
[Now the wonderful part of the story begins.]
“I know not how much time I passed in this way. As I came to myself I
felt an agreeable coolness. It seemed as if some harmonious air was
playing round about me, stirring gently in my hair, and drying the
drops of perspiration on my brow. It seemed to approach, and then again
to withdraw, breathing now softly and sweetly in the distance, and now
returning, as if to give me strength and courage to rise.
“I would not, however, do so as yet; for I felt myself, as I lay, under
the influence of a pleasure quite new to me; and listened, in a kind of
peaceful aberration, to the gentle murmurs of the summer wind, as it
breathed on me through the closed window-blinds above me. Then I
fancied I heard a voice that spoke to me from the end of the sacristy:
it whispered so low that I could not catch the words. I remained
motionless, and gave it my whole attention. At last I heard,
distinctly, the following sentence:—‘Spirit of Truth, raise up these
victims of ignorance and imposture.’ ‘Father Hegesippus,’ said I, in a
weak voice, ‘is that you who are returning to me?’ But no one answered.
I lifted myself on my hands and knees, I listened again, but I heard
nothing. I got up completely, and looked about me: I had fallen so near
to the only door in this little room, that none, after the departure of
the confessor, could have entered it without passing over me; besides,
the door was shut, and only opened from the inside by a strong lock of
the ancient shape. I touched it, and assured myself that it was closed.
I was seized with terror, and, for some moments, did not dare to move.
Leaning against the door, I looked round, and endeavored to see into
the gloom in which the angles of the room were enveloped. A pale light,
which came from an upper window, half closed, was seen to be trembling
in the midst of the apartment. The wind beat the shutter to and fro,
and enlarged or diminished the space through which the light issued.
The objects which were in this half light—the praying-desk, surmounted
by its skull—a few books lying on the benches—a surplice hanging
against the wall—seemed to move with the shadow of the foliage that the
air agitated behind the window. When I thought I was alone, I felt
ashamed of my former timidity; I made the sign of the cross, and was
Public-domain text, read in full here on John Shaqi.
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