The Paris Sketch Book of Mr. M. A. TitmarshThackeray, William Makepeace
General
The Paris Sketch Book of Mr. M. A. Titmarsh
Thackeray, William Makepeace
Paris (France) -- Description and travel
Drinking is the devil—the father, that is to say, of all vices.
Griskinissa’s face and her mind grew ugly together; her good humor
changed to bilious, bitter discontent; her pretty, fond epithets, to
foul abuse and swearing; her tender blue eyes grew watery and blear,
and the peach-color on her cheeks fled from its old habitation, and
crowded up into her nose, where, with a number of pimples, it stuck
fast. Add to this a dirty, draggle-tailed chintz; long, matted hair,
wandering into her eyes, and over her lean shoulders, which were once
so snowy, and you have the picture of drunkenness and Mrs. Simon
Gambouge.
Poor Simon, who had been a gay, lively fellow enough in the days of his
better fortune, was completely cast down by his present ill luck, and
cowed by the ferocity of his wife. From morning till night the
neighbors could hear this woman’s tongue, and understand her doings;
bellows went skimming across the room, chairs were flumped down on the
floor, and poor Gambouge’s oil and varnish pots went clattering through
the windows, or down the stairs. The baby roared all day; and Simon sat
pale and idle in a corner, taking a small sup at the brandy-bottle,
when Mrs. Gambouge was out of the way.
One day, as he sat disconsolately at his easel, furbishing up a picture
of his wife, in the character of Peace, which he had commenced a year
before, he was more than ordinarily desperate, and cursed and swore in
the most pathetic manner. “O miserable fate of genius!” cried he, “was
I, a man of such commanding talents, born for this? to be bullied by a
fiend of a wife; to have my masterpieces neglected by the world, or
sold only for a few pieces? Cursed be the love which has misled me;
cursed, be the art which is unworthy of me! Let me dig or steal, let me
sell myself as a soldier, or sell myself to the Devil, I should not be
more wretched than I am now!”
“Quite the contrary,” cried a small, cheery voice.
“What!” exclaimed Gambouge, trembling and surprised. “Who’s
there?—where are you?—who are you?”
“You were just speaking of me,” said the voice.
Gambouge held, in his left hand, his palette; in his right, a bladder
of crimson lake, which he was about to squeeze out upon the mahogany.
“Where are you?” cried he again.
“S-q-u-e-e-z-e!” exclaimed the little voice.
Gambouge picked out the nail from the bladder, and gave a squeeze;
when, as sure as I am living, a little imp spurted out from the hole
upon the palette, and began laughing in the most singular and oily
manner.
When first born he was little bigger than a tadpole; then he grew to be
as big as a mouse; then he arrived at the size of a cat; and then he
jumped off the palette, and, turning head over heels, asked the poor
painter what he wanted with him.
The strange little animal twisted head over heels, and fixed himself at
last upon the top of Gambouge’s easel,—smearing out, with his heels,
all the white and vermilion which had just been laid on the allegoric
portrait of Mrs. Gambouge.
Public-domain text, read in full here on John Shaqi.
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