The Paris Sketch Book of Mr. M. A. TitmarshThackeray, William Makepeace
General
The Paris Sketch Book of Mr. M. A. Titmarsh
Thackeray, William Makepeace
Paris (France) -- Description and travel
The rest of the letter is on matters of finance, equally curious and
instructive. But pause we for the present, to consider the fashionable
part: and caricature as it is, we have an accurate picture of the
actual French dandy. Bets, breakfasts, riding, dinners at the “Café de
Paris,” and delirious Carnival balls: the animal goes through all such
frantic pleasures at the season that precedes Lent. He has a wondrous
respect for English “gentlemen-sportsmen;” he imitates their
clubs—their love of horse-flesh: he calls his palefrenier a groom,
wears blue birds’s-eye neck-cloths, sports his pink out hunting, rides
steeple-chases, and has his Jockey Club. The “tigers and lions” alluded
to in the report have been borrowed from our own country, and a great
compliment is it to Monsieur de Bernard, the writer of the above
amusing sketch, that he has such a knowledge of English names and
things, as to give a Tory lord the decent title of Lord Cobham, and to
call his dog O’Connell. Paul de Kock calls an English nobleman, in one
of his last novels, Lord Boulingrog, and appears vastly delighted at
the verisimilitude of the title.
For the “rugissements et bondissements, bacchanale et saturnale, galop
infernal, ronde du sabbat tout le tremblement,” these words give a most
clear, untranslatable idea of the Carnival ball. A sight more hideous
can hardly strike a man’s eye. I was present at one where the four
thousand guests whirled screaming, reeling, roaring, out of the
ball-room in the Rue St. Honoré, and tore down to the column in the
Place Vendôme, round which they went shrieking their own music, twenty
miles an hour, and so tore madly back again. Let a man go alone to such
a place of amusement, and the sight for him is perfectly terrible: the
horrid frantic gayety of the place puts him in mind more of the
merriment of demons than of men: bang, bang, drums, trumpets, chairs,
pistol-shots, pour out of the orchestra, which seems as mad as the
dancers; whiz, a whirlwind of paint and patches, all the costumes under
the sun, all the ranks in the empire, all the he and she scoundrels of
the capital, writhed and twisted together, rush by you; if a man falls,
woe be to him: two thousand screaming menads go trampling over his
carcass: they have neither power nor will to stop.
Public-domain text, read in full here on John Shaqi.
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