The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch BookThackeray, William Makepeace
General
The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch Book
Thackeray, William Makepeace
Ireland -- Description and travel; Paris (France) -- Description and travel
I don’t know an impression more curious than that which is formed in a
foreigner’s mind, who has been absent from this place for two or three
years, returns to it, and beholds the change which has taken place, in
the meantime, in French fashions and ways of thinking. Two years ago,
for instance, when I left the capital, I left the young gentlemen of
France with their hair brushed _en toupet_ in front, and the toes of
their boots round; now the boot-toes are pointed, and the hair, combed
flat and parted in the middle, falls in ringlets on the fashionable
shoulders; and, in like manner, with books as with boots, the fashion
has changed considerably, and it is not a little curious to contrast the
old modes with the new. Absurd as was the literary dandyism of those
days, it is not a whit less absurd now: only the manner is changed, and
our versatile Frenchmen have passed from one caricature to another.
The Revolution may be called a caricature of freedom, as the Empire was
of glory; and what they borrow from foreigners undergoes the same
process. They take top-boots and macintoshes from across the water, and
caricature our fashions; they read a little, very little, Shakespeare,
and caricature our poetry: and while in David’s time art and religion
were only a caricature of heathenism, now, on the contrary, these two
commodities are imported from Germany; and, distorted caricatures
originally, are still further distorted on passing the frontier.
I trust in heaven that German art and religion will take no hold in our
country (where there is a fund of roast-beef that will expel any such
humbug in the end); but these sprightly Frenchmen have relished the
mystical doctrines mightily; and having watched the Germans, with their
sanctified looks, and quaint imitations of the old times, and mysterious
transcendental talk, are aping many of their fashions as well and
solemnly as they can; not very solemnly, God wot; for I think one should
always prepare to grin when a Frenchman looks particularly grave, being
sure that there is something false and ridiculous lurking under the
owl-like solemnity.
Public-domain text, read in full here on John Shaqi.
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