The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch BookThackeray, William Makepeace
General
The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch Book
Thackeray, William Makepeace
Ireland -- Description and travel; Paris (France) -- Description and travel
depths of the gloom through which I had passed, confused noises,
like those of a multitude on its march. And the sounds soon became
more distinct, and the clamour fiercer, and the steps came hurrying
on tumultuously--at every new burst nearer, more violent, more
threatening. I thought that I was pursued by this disorderly crowd;
and I strove to advance, hurrying into the midst of those dismal
sculptures. Then it seemed as if those figures began to heave--and
to sweat blood--and their beady eyes to move in their sockets. At
once I beheld that they were all looking upon me, that they were
all leaning towards me,--some with frightful derision, others with
furious aversion. Every arm was raised against me, and they made as
though they would crush me with the quivering limbs they had torn
one from the other.’
* * * * *
It is, indeed, a pity that the poor fellow gave himself the trouble to
go down into damp unwholesome graves, for the purpose of fetching up a
few trumpery sheets of manuscript; and if the public has been rather
tired with their contents, and is disposed to ask why Mrs. Sand’s
religious or irreligious notions are to be brought forward to people who
are quite satisfied with their own, we can only say that this lady is
the representative of a vast class of her countrymen, whom the wits and
philosophers of the eighteenth century have brought to this condition.
The leaves of the Diderot and Rousseau tree have produced this goodly
fruit: here it is, ripe, bursting, and ready to fall;--and how to fall?
Heaven send that it may drop easily, for all can see that the time is
come.
THE CASE OF PEYTEL
IN A LETTER TO EDWARD BRIEFLESS, ESQUIRE, OF PUMP COURT, TEMPLE
PARIS: _November_ 1839.
MY DEAR BRIEFLESS--Two months since, when the act of accusation first
appeared, containing the sum of the charges against Sebastian Peytel,
all Paris was in a fervour on the subject. The man’s trial speedily
followed, and kept for three days the public interest wound up to a
painful point. He was found guilty of double murder at the beginning of
September; and, since that time, what with Maroto’s disaffection and
Turkish news, we have had leisure to forget Monsieur Peytel, and to
occupy ourselves with τι νἑον. Perhaps Monsieur de Balzac
helped to smother what little sparks of interest might still have
remained for the murderous notary. Balzac put forward a letter in his
favour, so very long, so very dull, so very pompous, promising so much,
and performing so little, that the Parisian public gave up Peytel and
his case altogether; nor was it until to-day that some small feeling was
raised concerning him, when the newspapers brought the account how
Peytel’s head had been cut off at Bourg.
Public-domain text, read in full here on John Shaqi.
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