The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch BookThackeray, William Makepeace
General
The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch Book
Thackeray, William Makepeace
Ireland -- Description and travel; Paris (France) -- Description and travel
‘On n’est plus heureux à notre âge,’ says the old man, to one of his old
generals, welcoming Tallard, after his defeat; and he rewards him with
honours, as if he had come from a victory. There is, if you will,
something magnanimous in this welcome to his conquered general, this
stout protest against Fate. Disaster succeeds disaster; armies after
armies march out to meet fiery Eugene and that dogged fatal Englishman,
and disappear in the smoke of the enemies’ cannon. Even at Versailles
you may almost hear it roaring at last; but when courtiers, who have
forgotten their god, now talk of quitting this grand temple of his, old
Louis plucks up heart and will never hear of surrender. All the gold and
silver at Versailles he melts, to find bread for his armies: all the
jewels on his five-hundred-million coat he pawns resolutely; and,
bidding Villars go and make the last struggle but one, promises, if his
general is defeated, to place himself at the head of his nobles, and die
King of France. Indeed, after a man, for sixty years, has been
performing the part of a hero, some of the real heroic stuff must have
entered into his composition, whether he would or not. When the great
Elliston was enacting the part of King George the Fourth, in the play of
_The Coronation_, at Drury Lane, the galleries applauded very loudly his
suavity and majestic demeanour, at which Elliston, inflamed by the
popular loyalty (and by some fermented liquor in which, it is said, he
was in the habit of indulging), burst into tears, and, spreading out his
arms, exclaimed: ‘Bless ye, bless ye, my people!’ Don’t let us laugh at
his Ellistonian majesty, nor at the people who clapped hands and yelled
‘Bravo!’ in praise of him. The tipsy old manager did really feel that he
was a hero at that moment; and the people, wild with delight and
attachment for a magnificent coat and breeches, surely were uttering the
true sentiments of loyalty: which consists in reverencing these and
other articles of costume. In this fifth act, then, of his long Royal
drama, old Louis performed his part excellently; and when the curtain
drops upon him, he lies, dressed majestically, in a becoming kingly
attitude, as a king should.
Public-domain text, read in full here on John Shaqi.
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