The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch BookThackeray, William Makepeace
General
The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch Book
Thackeray, William Makepeace
Ireland -- Description and travel; Paris (France) -- Description and travel
A set of Malays, drunk with bang, and running the muck, a company of
howling dervishes, may possibly, at our own day, go through similar
frantic vagaries; but I doubt if any civilised European people but the
French would permit and enjoy such scenes. But our neighbours see little
shame in them; and it is very true that men of all classes, high and
low, here congregate and give themselves up to the disgusting worship of
the genius of the place. From the dandy of the Boulevard and the Café
Anglais, let us turn to the dandy of ‘Flicoteau’s’ and the Pays
Latin--the Paris student, whose exploits among the grisettes are
celebrated, and whose fierce republicanism keeps gendarmes for ever on
the alert. The following is M. de Bernard’s description of him:
‘I became acquainted with Dambergeac when we were students at the
École de Droit; we lived in the same hotel on the Place du
Panthéon. No doubt, madam, you have occasionally met little
children dedicated to the Virgin, and, to this end, clothed in
white raiment from head to foot: my friend Dambergeac had received
a different consecration. His father, a great patriot of the
Revolution, had determined that his son should bear into the world
a sign of indelible republicanism; so, to the great displeasure of
his godmother and the parish curate, Dambergeac was christened by
the pagan name of Harmodius. It was a kind of moral tricolour
cockade, which the child was to bear through the vicissitudes of
all the revolutions to come. Under such influences, my friend’s
character began to develop itself, and, fired by the example of his
father, and by the warm atmosphere of his native place, Marseilles,
he grew up to have an independent spirit, and a grand liberality of
politics, which were at their height when first I made his
acquaintance.
‘He was then a young man of eighteen, with a tall slim figure, a
broad chest, and a flaming black eye, out of all which personal
charms he knew how to draw the most advantage; and though his
costume was such as Staub might probably have criticised, he had,
nevertheless, a style peculiar to himself--to himself and the
students, among whom he was the leader of the fashion. A tight
black coat, buttoned up to the chin, across the chest, set off that
part of his person; a low-crowned hat, with a voluminous rim, cast
solemn shadows over a countenance bronzed by a southern sun: he
wore, at one time, enormous flowing black locks, which he
sacrificed pitilessly, however, and adopted a Brutus, as being more
revolutionary: finally, he carried an enormous club, that was his
code and digest: in like manner, De Retz used to carry a stiletto
in his pocket, by way of a breviary.
Public-domain text, read in full here on John Shaqi.
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