The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch BookThackeray, William Makepeace
General
The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch Book
Thackeray, William Makepeace
Ireland -- Description and travel; Paris (France) -- Description and travel
He might, perhaps, be spared, for our country is not yet sufficiently
advanced to give such a philosopher fair-play. In London, as yet, there
are no blessed _Bureaux de Mariage_, where an old bachelor may have a
charming young maiden--for his money; or a widow of seventy may buy a
gay young fellow of twenty, for a certain number of bank-billets. If
_mariages de convenance_ take place here (as they will wherever avarice,
and poverty, and desire, and yearning after riches are to be found), at
least, thank God, such unions are not arranged upon a regular organised
_system_: there is a fiction of attachment with us, and there is a
consolation in the deceit (‘the homage,’ according to the old _môt_ of
Rochefoucauld, ‘which vice pays to virtue’); for the very falsehood
shows that the virtue exists somewhere. We once heard a furious old
French colonel inveighing against the chastity of English _demoiselles_:
‘Figurez-vous, sir,’ said he (he had been a prisoner in England), ‘that
these women come down to dinner in low dresses, and walk out alone with
the men!’--and, pray Heaven, so may they walk, fancy-free in all sorts
of maiden meditations, and suffer no more molestation than that young
lady of whom Moore sings, and who (there must have been a famous
lord-lieutenant in those days) walked through all Ireland, with rich and
rare gems, beauty, and a gold ring on her stick, without meeting or
thinking of harm.
Now, whether Monsieur de Viel-Castel has given a true picture of the
Faubourg St. Germain, it is impossible for most foreigners to say; but
some of his descriptions will not fail to astonish the English reader;
and all are filled with that remarkable _naïf_ contempt of the
institution called marriage, which we have seen in M. de Bernard. The
romantic young nobleman of Westphalia arrives at Paris, and is admitted
into what a celebrated female author calls _la crême de la crême de la
haute volée_ of Parisian society. He is a youth of about twenty years of
age. ‘No passion had as yet come to move his heart, and give life to
his faculties; he was awaiting and fearing the moment of love; calling
for it, and yet trembling at its approach; feeling, in the depths of his
soul, that that moment would create a mighty change in his being, and
decide, perhaps, by its influence, the whole of his future life.’
Is it not remarkable that a young nobleman, with these ideas, should not
pitch upon a _demoiselle_, or a widow, at least? but no, the rogue must
have a married woman, bad luck to him; and what his fate is to be is
thus recounted by our author, in the shape of
A FRENCH FASHIONABLE CONVERSATION
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