The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch BookThackeray, William Makepeace
General
The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch Book
Thackeray, William Makepeace
Ireland -- Description and travel; Paris (France) -- Description and travel
A year since, as I was smoking my cigar in the Estaminet du Grand
Balcon, an excellent smoking-shop, where the tobacco is unexceptionable,
and the Hollands of singular merit, a dark-looking, thick-set man, in a
greasy well-cut coat, with a shabby hat, cocked on one side of his dirty
face, took the place opposite to me, at the little marble table, and
called for brandy. I did not much admire the impudence or the appearance
of my friend, nor the fixed stare with which he chose to examine me. At
last he thrust a great greasy hand across the table, and said,
‘Titmarsh, do you forget your old friend Attwood?’
I confess my recognition of him was not so joyful as on the day ten
years earlier, when he had come, bedizened with lace and gold rings, to
see us at C---- school: a man in the tenth part of a century learns a
deal of worldly wisdom, and his hand, which goes naturally forward to
seize the gloved finger of a millionaire, or a milor, draws
instinctively back from a dirty fist, encompassed by a ragged wristband
and a tattered cuff. But Attwood was in nowise so backward; and the iron
squeeze with which he shook my passive paw, proved that he was either
very affectionate or very poor. You, my dear sir, who are reading this
history, know very well the great art of shaking hands; recollect how
you shook Lord Dash’s hand the other day, and how you shook _off_ poor
Blank, when he came to borrow five pounds of you.
[Illustration]
However, the genial influence of the hollands speedily dissipated
anything like coolness between us; and, in the course of an hour’s
conversation, we became almost as intimate as when we were suffering
together under the ferule of old Swishtail. Jack told me that he had
quitted the army in disgust; and that his father, who was to leave him a
fortune, had died ten thousand pounds in debt: he did not touch upon his
own circumstances; but I could read them in his elbows, which were
peeping through his old frock. He talked a great deal, however, of runs
of luck, good and bad; and related to me an infallible plan for breaking
all the play-banks in Europe--a great number of old tricks;--and a vast
quantity of gin-punch was consumed on the occasion; so long, in fact,
did our conversation continue, that, I confess it with shame, the
sentiment, or something stronger, quite got the better of me, and I
have, to this day, no sort of notion how our palaver concluded.--Only,
on the next morning I did not possess a certain five-pound note, which
on the previous evening was in my sketch-book (by far the prettiest
drawing, by the way, in the collection); but there, instead, was a strip
of paper, thus inscribed:
‘IOU
Five Pounds. JOHN ATTWOOD, Late of the N--th Dragoons.’
Public-domain text, read in full here on John Shaqi.
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