Poor David Diggs, the hero of Hewett's story of _The Parish Clerk_, used
to write epitaphs in strange and curious English. Just before his death
he put a small piece of paper into the hands of the clergyman of the
parish, and whispered a request that its contents might be attended to.
When the clergyman afterwards read the paper he found the following
epitaph, which was duly inscribed on the clerk's grave:
"Reader Don't stop nor shed no tears
For I was parish clerk For 60 years;
If I lived on I could not now as Then
Say to the Parson's Prases A loud Amen."
A very worthy poetical clerk was John Bennet, shoemaker, of Woodstock. A
long account of him appears in the _Lives of Illustrious Shoemakers_,
written by W.E. Winks. He inherited the office of parish clerk from his
father, and with it some degree of musical taste. In the preface to his
poems he wrote: "Witness my early acquaintance with the pious strains of
Sternhold and Hopkins, under that melodious psalmodist my honoured
Father, and your approved Parish Clerk." This is addressed to the Rev.
Thomas Warton, Professor of Poetry at Oxford, and sometime curate of
Woodstock, to whose patronage and ready aid John Bennet was greatly
indebted. Southey, who succeeded Warton in the Professorship, wrote that
"This Woodstock shoemaker was chiefly indebted for the patronage which
he received to Thomas Warton's good nature; for my predecessor was the
best-hearted man that ever wore a great wig." Certainly the list of
subscribers printed at the beginning of his early work is amazingly
long. Noblemen, squires, parsons, great ladies, all rushed to secure the
cobbler-clerk's poems, which were published in 1774. The poems consist
mainly of simple rhymes or rustic themes, and are not without merit or
humour. He is very modest and humble about his poetical powers, and
tells that his reason for publishing his verses was "to enable the
author to rear an infant offspring and to drive away all anxious
solicitude from the breast of a most amiable wife." His humour is shown
in the conclusion of his Dedication, where he wrote:
"I had proceeded thus far when I was called to measure a gentleman of a
certain college for a pair of fashionable boots, and the gentleman
having insisted on a perusal of what I was writing, told me that a
dedication should be as laconic as the boots he had employed me to make;
and then, taking up my pen, added this scrap of Latin for a Heel-piece,
as he called it, to my Dedication:
"_Jam satis est; ne me Crispini scrinia lippi
Compilasse putes, vertum non amplius_."
The cobbler poet concludes his verses with the humorous lines:
"So may our cobler rise by friendly aid,
Be happy and successful in his trade;
His awl and pen with readiness be found,
To make or keep our understandings sound."
Public-domain text, read in full here on John Shaqi.
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