In giving out the hymns or Psalms many difficulties of pronunciation
would often arise. One clerk had many struggles over the line, "Awed by
Thy gracious word." He could not manage that tiresome first word, and
always called it "a wed." The old metrical version of the Psalm, "Like
as the hart desireth the water-brooks," etc. is still with us, and a
beautiful hymn it is:
"As pants the hart for cooling streams
When heated in the chase."
A Northumbrian clerk used to give out the words thus:
"As pants the 'art for coolin' streams
When 'eated in the chaise,"
which seems to foreshadow the triumph of modern civilisation, the carted
deer, a mode of stag-hunting that was scarcely contemplated by Tate
and Brady.
CHAPTER XIV
SLEEPY CHURCH AND SLEEPY CLERKS
There was a time when the Church of England seemed to be asleep. Perhaps
it may have been that "tired nature's sweet restorer, balmy sleep," was
only preparing her exhausted energies for the unwonted activities of the
last half-century; or was it the sleep that presaged death? Her enemies
told her so in plain and unvarnished language. Her friends, too, said
that she was folding her robes to die with what dignity she could.
Lethargy, sloth, sleep--a dead, dull, dreary sleep--fell like a leaden
pall upon her spiritual life, darkening the light that shone but vaguely
through the storied panes of her mediæval windows, while a paralysing
numbness crippled her limbs and quenched her activity.
Such scenes as Archbishop Benson describes as his early recollection of
Upton, near Droitwich, were not uncommon. The church was aisleless, and
the middle passage, with high pews on each side, led up to the
chancel-arch, in which was a "three-decker," fifteen feet high. The
clerk wore a wig and immense horn spectacles. He was a shoemaker,
dressed in black, with a white tie. In the gallery sat "the music"--a
clarionet, flute, violin, and 'cello. The clerk gave out the "Twentieth
Psalm of David," and the fiddlers tuned for a moment and then played at
once. Then they struck up, and the clerk, absolutely alone, in a
majestic voice which swayed up and down without regard to time or tune,
sang it through like the braying of an ass; not a soul else joined in;
the farmers amused and smiling at each other. Such scenes were
quite usual.
In Cornwall affairs were worse. In one church the curate-in-charge had
to be chained to the altar rails while he read the service, as he had a
harmless mania, which made him suddenly flee from the church if his own
activities were for an instant suspended, as, for example, by a
response. The churchwarden, a farmer, kept the padlock-key in his pocket
till the service was safely over, and then released the imprisoned
cleric. At another Cornish church the vicar's sister used to read the
lessons in a deep bass voice.
Public-domain text, read in full here on John Shaqi.
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