One other of these mediæval representations of the clerk's duties may be
mentioned. It is a fifteenth-century French MS. in the British Museum
(Egerton, 2019, f. 142), and represents the last scenes of this mortal
life. The absolution of the penitent, the administration of the last
sacrament, the woman mourning for her husband and arranging the
grave-clothes, the singing of the dirige, the burial, and the reception
of the soul of the departed by our Lord in glory. The clerk appears in
several of these scenes. He is kneeling behind the priest in the
administration of the last sacrament. Robed in surplice and cope he is
chanting the Psalms for the departed, and at the burial he is holding
the holy-water vessel for the asperging of the corpse.
There are several paintings by English artists which represent the
old-fashioned clerk in all his glory in his throne in the lowest seat of
the "three-decker." Perhaps the most striking is the satirical sketch of
the pompous eighteenth-century clerk as shown in Hogarth's engraving of
_The Sleeping Congregation_, to which I have already referred. As a
contrast to Hogarth's _Sleeping Congregation_ we may place Webster's
famous painting of a village choir, which is thoroughly life-like and
inspiring. The old clerk with enrapt countenance is singing lustily. The
musicians are performing on the 'cello, clarionet, and hautboy, and the
singers are chanting very earnestly and very vigorously the strains of
some familiar melody. The picture is a very exact presentment of an old
village choir of the better sort.
[Illustration: THE DUTIES OF A CLERK AT A DEATH AND FUNERAL]
[Illustration: THE VICAR OF WAKEFIELD BY W.P. FRITH]
It was perhaps such a choir as this that an aged friend remembers in a
remote Cornish village. It was a mixed choir, led by a 'cello, flute,
and clarionet. Tate and Brady's version of the Psalms was used
alternately with a favourite anthem arranged by some of the members.
"We'll wash our hands," the basses led off in stentorian tones. Then the
tenors followed. Then the trebles in shrill voices--"washed hands."
Finally, after a pause, the whole choir shouted triumphantly, "in
innocenc_ee_"; and the congregation bore it, my friend naïvely remarks.
The orchestra on one occasion struck work. Only the clerk, who played
his 'cello, remained faithful. To prove his loyalty he appeared as
usual, gave out a hymn of many verses, and sang it through in his clear
bass voice, to the accompaniment of his instrument.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account