The Parisians — CompleteLytton, Edward Bulwer Lytton, Baron
General
The Parisians — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Paris (France) -- Social life and customs -- 19th century -- Fiction
But as yet Victor de Mauleon’s vindication was only known by a few, and
those belonging to the gayer circles of life. How he might be judged by
the sober middle class, which constitutes the most important section of
public opinion to a candidate for political trusts and distinctions, was
another question.
The Duchesse stood at the door to receive her visitors. Duplessis was
seated near the entrance, by the side of a distinguished member of
the Imperial Government, with whom he was carrying on a whispered
conversation. The eye of the financier, however, turned towards the
doorway as Alain and Enguerrand entered, and passing over their familiar
faces, fixed itself attentively on that of a mach older man whom
Enguerrand was presenting to the Duchesse, and in whom Duplessis
rightly divined the Vicomte de Mauleon. Certainly if no one could have
recognized M. Lebeau in the stately personage who had visited Louvier,
still less could one who had heard of the wild feats of the roi des
viveurs in his youth reconcile belief in such tales with the quiet
modesty of mien which distinguished the cavalier now replying, with
bended head and subdued accents, to the courteous welcome of the
brilliant hostess. But for such difference in attributes between the
past and the present De Mauleon, Duplessis had been prepared by the
conversation at the Maison Doree. And now, as the Vicomte, yielding his
place by the Duchesse to some new-comer, glided on, and, leaning against
a column, contemplated the gay scene before him with that expression of
countenance, half sarcastic, half mournful, with which men regard, after
long estrangement, the scenes of departed joys, Duplessis felt that no
change in that man had impaired the force of character which had made
him the hero of reckless coevals. Though wearing no beard, not even a
mustache, there was something emphatically masculine in the contour
of the close-shaven cheek and resolute jaw; in a forehead broad at the
temples, and protuberant in those organs over the eyebrows which are
said to be significant of quick perception and ready action; in the
lips, when in repose compressed, perhaps somewhat stern in their
expression, but pliant and mobile when speaking, and wonderfully
fascinating when they smiled. Altogether, about this Victor de Mauleon
there was a nameless distinction, apart from that of conventional
elegance. You would have said, “That is a man of some marked
individuality, an eminence of some kind in himself.” You would not be
surprised to hear that he was a party-leader, a skilled diplomatist, a
daring soldier, an adventurous traveller; but you would not guess him to
be a student, an author, an artist.
Public-domain text, read in full here on John Shaqi.
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