The Parisians — CompleteLytton, Edward Bulwer Lytton, Baron
General
The Parisians — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Paris (France) -- Social life and customs -- 19th century -- Fiction
It is the first week in the month of May, 1870. Celebrities are of rapid
growth in the salons of Paris. Gustave Rameau has gained the position
for which he sighed. The journal he edits has increased its hold on the
public, and his share of the profits has been liberally augmented by
the secret proprietor. Rameau is acknowledged as a power in literary
circles. And as critics belonging to the same clique praise each other
in Paris, whatever they may do in communities more rigidly virtuous, his
poetry has been declared by authorities in the press to be superior
to that of Alfred de Musset in vigour--to that of Victor Hugo in
refinement; neither of which assertions would much, perhaps, shock a
cultivated understanding.
It is true that it (Gustave’s poetry) has not gained a wide audience
among the public. But with regard to poetry nowadays, there are plenty
of persons who say as Dr. Johnson said of the verse of Spratt, “I would
rather praise it than read.”
At all events, Rameau was courted in gay and brilliant circles, and,
following the general example of French litterateurs in fashion,
lived well up to the income he received, had a delightful bachelor’s
apartment, furnished with artistic effect, spent largely on the
adornment of his person, kept a coupe, and entertained profusely at the
cafe Anglais and the Maison Doree. A reputation that inspired a graver
and more unquiet interest had been created by the Vicomte de Mauleon.
Recent articles in the Sens Commun, written under the name of Pierre
Firmin on the discussions on the vexed question of the plebiscite, had
given umbrage to the Government, and Rameau had received an intimation
that he, as editor, was responsible for the compositions of the
contributors to the journal he edited; and that though, so long as
Pierre Firmin had kept his caustic spirit within proper bounds, the
Government had winked at the evasion of the law which required every
political article in a journal to be signed by the real name of its
author, it could do so no longer. Pierre Firmin was apparently a nom
de plume; if not, his identity must be proved, or Rameau would pay the
penalty which his contributor seemed bent on incurring.
Public-domain text, read in full here on John Shaqi.
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