The Parisians — CompleteLytton, Edward Bulwer Lytton, Baron
General
The Parisians — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Paris (France) -- Social life and customs -- 19th century -- Fiction
Isaura sighed. Now the jacket of the Signora was a subject of
disquietude to her friend. It so happened that a young English lady of
the highest rank and the rarest beauty had appeared at M. Louvier’s,
and indeed generally in the beau monde of Paris, in a Greek jacket that
became her very much. The jacket had fascinated, at M. Louvier’s, the
eyes of the Signora. But of this Isaura was unaware. The Signora, on
returning home from M. Louvier’s, had certainly lamented much over the
mesquin appearance of her old-fashioned Italian habiliments compared
with the brilliant toilette of the gay Parisiennes; and Isaura--quite
woman enough to sympathize with woman in such womanly vanities--proposed
the next day to go with the Signora to one of the principal couturieres
of Paris, and adapt the Signora’s costume to the fashions of the place.
But the Signora having predetermined on a Greek jacket, and knowing
by instinct that Isaura would be disposed to thwart that splendid
predilection, had artfully suggested that it would be better to go
to the couturiere with Madame Savarin, as being a more experienced
adviser,--and the coupe only held two.
As Madame Savarin was about the same age as the Signora, and dressed
as became her years and in excellent taste, Isaura thought this an
admirable suggestion; and pressing into her chaperon’s hand a billet de
banque sufficient to re-equip her cap-a pie, dismissed the subject from
her mind. But the Signora was much too cunning to submit her passion
for the Greek jacket to the discouraging comments of Madame Savarin.
Monopolizing the coupe, she became absolute mistress of the situation.
She went to no fashionable couturiere’s. She went to a magasin that she
had seen advertised in the Petites Afiches as supplying superb costumes
for fancy-balls and amateur performers in private theatricals. She
returned home triumphant, with a jacket still more dazzling to the eye
than that of the English lady.
When Isaura first beheld it, she drew back in a sort of superstitious
terror, as of a comet or other blazing portent.
“Cosa stupenda!” (stupendous thing!) She might well be dismayed when
the Signora proposed to appear thus attired in M. Louvier’s salon. What
might be admired as coquetry of dress in a young beauty of rank so great
that even a vulgarity in her would be called distinguee, was
certainly an audacious challenge of ridicule in the elderly ci-devant
music-teacher.
But how could Isaura, how can any one of common humanity, say to a woman
resolved upon wearing a certain dress, “You are not young and handsome
enough for that?” Isaura could only murmur, “For many reasons I would
rather stay at home, dear Madre.”
“Ah! I see you are ashamed of me,” said the Signora, in softened tones:
“very natural. When the nightingale sings no more, she is only an
ugly brown bird;” and therewith the Signora Venosta seated herself
submissively, and began to cry.
Public-domain text, read in full here on John Shaqi.
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