The Parisians — CompleteLytton, Edward Bulwer Lytton, Baron
General
The Parisians — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Paris (France) -- Social life and customs -- 19th century -- Fiction
The next night Graham in vain looked round for Alain in M. Louvier’s
salons, and missed his high-bred mien and melancholy countenance.
M. Louvier had been for some four years a childless widower, but his
receptions were not the less numerously attended, nor his establishment
less magnificently monde for the absence of a presiding lady: very much
the contrary; it was noticeable how much he had increased his status and
prestige as a social personage since the death of his unlamented spouse.
To say truth, she had been rather a heavy drag on his triumphal car.
She had been the heiress of a man who had amassed a great deal of
money,--not in the higher walks of commerce, but in a retail trade.
Louvier himself was the son of a rich money-lender; he had entered life
with an ample fortune and an intense desire to be admitted into those
more brilliant circles in which fortune can be dissipated with eclat. He
might not have attained this object but for the friendly countenance of
a young noble who was then--
“The glass of fashion and the mould of form;”
but this young noble, of whom later we shall hear more, came suddenly to
grief, and when the money-lender’s son lost that potent protector, the
dandies, previously so civil, showed him a very cold shoulder.
Louvier then became an ardent democrat, and recruited the fortune he had
impaired by the aforesaid marriage, launched into colossal speculations,
and became enormously rich. His aspirations for social rank now revived,
but his wife sadly interfered with them. She was thrifty by nature;
sympathized little with her husband’s genius for accumulation; always
said he would end in a hospital; hated Republicans; despised authors and
artists, and by the ladies of the beau monde was pronounced common and
vulgar.
So long as she lived, it was impossible for Louvier to realize his
ambition of having one of the salons which at Paris establish celebrity
and position. He could not then command those advantages of wealth which
he especially coveted. He was eminently successful in doing this now.
As soon as she was safe in Pere la Chaise, he enlarged his hotel by
the purchase and annexation of an adjoining house; redecorated and
refurnished it, and in this task displayed, it must be said to his
credit, or to that of the administrators he selected for the purpose, a
nobleness of taste rarely exhibited nowadays. His collection of pictures
was not large, and consisted exclusively of the French school, ancient
and modern, for in all things Louvier affected the patriot. But each of
those pictures was a gem; such Watteaus, such Greuzes, such landscapes
by Patel, and, above all, such masterpieces by Ingres, Horace Vernet,
and Delaroche were worth all the doubtful originals of Flemish and
Italian art which make the ordinary boast of private collectors.
Public-domain text, read in full here on John Shaqi.
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