The Parisians — CompleteLytton, Edward Bulwer Lytton, Baron
General
The Parisians — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Paris (France) -- Social life and customs -- 19th century -- Fiction
“I ought of course to say ‘yes,’” answered Graham, in the same tone;
“but I doubt if that ‘yes’ would be an honest one. In some moods,
music--if a kind of music I like--affects me very deeply; in other
moods, not at all. And I cannot bear much at a time. A concert wearies
me shamefully; even an opera always seems to me a great deal too long.
But I ought to add that I am no judge of music; that music was never
admitted into my education; and, between ourselves, I doubt if there be
one Englishman in five hundred who would care for opera or concert if it
were not the fashion to say he did. Does my frankness revolt you?”
“On the contrary, I sometimes doubt, especially of late, if I am fond of
music myself.”
“Signorina,--pardon me,--it is impossible that you should not be. Genius
can never be untrue to itself, and must love that in which it
excels, that by which it communicates joy, and,” he added, with a
half-suppressed sigh, “attains to glory.”
“Genius is a divine word, and not to be applied to a singer,” said
Isaura, with a humility in which there was an earnest sadness.
Graham was touched and startled; but before he could answer, the
American Minister appealed to him across the table, asking if he had
quoted accurately a passage in a speech by Graham’s distinguished
father, in regard to the share which England ought to take in the
political affairs of Europe.
The conversation now became general, very political and very serious.
Graham was drawn into it, and grew animated and eloquent.
Isaura listened to him with admiration. She was struck by what seemed to
her a nobleness of sentiment which elevated his theme above the level
of commonplace polemics. She was pleased to notice, in the attentive
silence of his intelligent listeners, that they shared the effect
produced on herself. In fact, Graham Vane was a born orator, and his
studies had been those of a political thinker. In common talk he was
but the accomplished man of the world, easy and frank and genial, with
a touch of good-natured sarcasm; but when the subject started drew
him upward to those heights in which politics become the science
of humanity, he seemed a changed being. His cheek glowed, his eye
brightened, his voice mellowed into richer tones, his language be
came unconsciously adorned. In such moments there might scarcely be
an audience, even differing from him in opinion, which would not have
acknowledged his spell.
When the party adjourned to the salon, Isaura said softly to Graham, “I
understand why you did not cultivate music; and I think, too, that I can
now understand what effects the human voice can produce on human minds
without recurring to the art of song.”
Public-domain text, read in full here on John Shaqi.
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