The Parisians — Volume 11Lytton, Edward Bulwer Lytton, Baron
General
The Parisians — Volume 11
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Paris (France) -- Social life and customs -- 19th century -- Fiction
Isaura had, as we have seen, been hitherto saved by the siege and its
consequences from the fulfilment of her engagement to Gustave Rameau; and
since he had quitted his father's house she had not only seen less of
him, but a certain chill crept into his converse in the visits he paid to
her. The compassionate feeling his illness had excited, confirmed by the
unwonted gentleness of his mood, and the short-lived remorse with which
he spoke of his past faults and follies, necessarily faded away in
proportion as he regained that kind of febrile strength which was his
normal state of health, and with it the arrogant self-assertion which was
ingrained in his character. But it was now more than ever that she
became aware of the antagonism between all that constituted his inner
life and her own. It was not that he volunteered in her presence the
express utterance of those opinions, social or religious, which he
addressed to the public in the truculent journal to which, under a _nom
de plume_, he was the most inflammatory contributor. Whether it was that
he shrank from insulting the ears of the pure virgin whom he had wooed as
wife with avowals of his disdain of marriage bonds, or perhaps from
shocking yet more her womanly humanity and her religious faith by cries
for the blood of anti-republican traitors and the downfall of Christian
altars; or whether he yet clung, though with relapsing affection, to the
hold which her promise had imposed on him, and felt that that hold would
be for ever gone, and that she would recoil from his side in terror and
dismay, if she once learned that the man who had implored her to be his
saving angel from the comparatively mild errors of youth, had so belied
his assurance, so mocked her credulity, as deliberately to enter into
active warfare against all that he knew her sentiments regarded as noble
and her conscience received as divine: despite the suppression of avowed
doctrine on his part, the total want of sympathy between these
antagonistic natures made itself felt by both--more promptly felt by
Isaura. If Gustave did not frankly announce to her in that terrible time
(when all that a little later broke out on the side of the Communists was
more or less forcing ominous way to the lips of those who talked with
confidence to each other, whether to approve or to condemn) the
associates with whom he was leagued, the path to which he had committed
his career--still for her instincts for genuine Art--which for its
development needs the serenity of peace, which for its ideal needs dreams
that soar into the Infinite--Gustave had only the scornful sneer of the
man who identifies with his ambition the violent upset of all that
civilisation has established in this world, and the blank negation of all
that patient hope and heroic aspiration which humanity carries on into
the next.
Public-domain text, read in full here on John Shaqi.
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