The Parisians — Volume 11Lytton, Edward Bulwer Lytton, Baron
General
The Parisians — Volume 11
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Paris (France) -- Social life and customs -- 19th century -- Fiction
On his side, Gustave Rameau, who was not without certain fine and
delicate attributes in a complicated nature over which the personal
vanity and the mobile temperament of the Parisian reigned supreme, chafed
at the restraints imposed on him. No matter what a man's doctrines may
be--however abominable you and I may deem them--man desires to find, in
the dearest fellowship he can establish, that sympathy in the woman his
choice singles out from her sex-deference to his opinions, sympathy with
his objects, as man. So, too, Gustave's sense of honour and according to
his own Parisian code that sense was keen--became exquisitely stung by
the thought that he was compelled to play the part of a mean dissimulator
to the girl for whose opinions he had the profoundest contempt. How
could these two, betrothed to each other, not feel, though without coming
to open dissension, that between them had flowed the inlet of water by
which they had been riven asunder? What man, if he can imagine himself a
Gustave Rameau, can blame the revolutionist absorbed in ambitious
projects for turning the pyramid of society topsy-turvy, if he shrank
more and more from the companionship of a betrothed with whom he could
not venture to exchange three words without caution and reserve? And
what woman can blame an Isaura if she felt a sensation of relief at the
very neglect of the affianced whom she had compassionated and could never
love?
Possibly the reader may best judge of the state of Isaura's mind at this
time by a few brief extracts from an imperfect fragmentary journal, in
which, amid saddened and lonely hours, she held converse with herself.
"One day at Enghien I listened silently to a conversation between M.
Savarin and the Englishman, who sought to explain the conception of duty
in which the German poet has given such noble utterance to the thoughts
of the German philosopher--viz., that moral aspiration has the same goal
as the artistic,--the attainment to the calm delight wherein the pain of
effort disappears in the content of achievement. Thus in life, as in
art, it is through discipline that we arrive at freedom, and duty only
completes itself when all motives, all actions, are attuned into one
harmonious whole, and it is not striven for as duty, but enjoyed as
happiness. M. Savarin treated this theory with the mockery with which
the French wit is ever apt to treat what it terms German mysticism.
According to him, duty must always be a hard and difficult struggle; and
he said laughingly, 'Whenever a man says, "I have done my duty," it is
with a long face and a mournful sigh.'
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account