The Parisians — Volume 11Lytton, Edward Bulwer Lytton, Baron
General
The Parisians — Volume 11
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Paris (France) -- Social life and customs -- 19th century -- Fiction
Raoul de Vandemar had been all the earlier part of the day with the
assistants of the ambulance over which he presided, attached to the
battalions of the National Guard in a quarter remote from that in which
his brother had fought and fallen. When those troops, later in the day,
were driven from the Montmedy plateau, which they had at first carried,
Raoul repassed towards the plateau at Villiers, on which the dead lay
thickest. On the way he heard a vague report of the panic which had
dispersed the Mobiles of whom Enguerrand was in command, and of
Enguerrand's vain attempt to inspirit them. But his fate was not known.
There, at midnight, Raoul is still searching among the ghastly heaps and
pools of blood, lighted from afar by the blaze from the observatory of
Montmartre, and more near at hand by the bivouac fires extended along the
banks to the left of the Marne, while everywhere about the field flitted
the lanterns of the _Frere Chretiens_. Suddenly, in the dimness of a spot
cast into shadow by an incompleted earthwork, he observed a small
sinister figure perched on the breast of some wounded soldier, evidently
not to succour. He sprang forward and seized a hideous-looking urchin,
scarcely twelve years old, who held in one hand a small crystal locket,
set in filigree gold, torn from the soldier's breast, and lifted high in
the other a long case-knife. At a glance Raoul recognised the holy relic
he had given to Enguerrand, and, flinging the precocious murderer to be
seized by his assistants, he cast himself beside his brother. Enguerrand
still breathed, and his languid eyes brightened as he knew the dear
familiar face. He tried to speak, but his voice failed, and he shook
his head sadly, but still with a faint smile on his lips. They lifted
him tenderly, and placed him on a litter. The movement, gentle as it
was, brought back pain, and with the pain strength to mutter, "My mother
---I would see her once more."
As at daybreak the loungers on Montmartre and the ramparts descended into
the streets--most windows in which were open, as they had been all night,
with anxious female faces peering palely down-they saw the conveyances of
the ambulances coming dismally along, and many an eye turned wistfully
towards the litter on which lay the idol of the pleasure-loving Paris,
with the dark, bareheaded figure walking beside it,--onwards, onwards,
till it reached the Hotel de Vandemar, and a woman's cry was heard at the
entrance--the mother's cry, "My son! my son!"
Public-domain text, read in full here on John Shaqi.
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