NOTE BY THE AUTHOR'S SON.--[See also Prefatory Note]--The hand that wrote thus far has left unwritten the last scene of the tragedy of poor Fox. In the deep where Prospero has dropped his wand are now irrevocably buried the humour and the pathos of this cynophagous banquet. One detail of it, however, which the author imparted to his son, may here be faintly indicated. Let the sympathising reader recognise all that is dramatic in the conflict between hunger and affection; let him recall to mind the lachrymose loving-kindness of his own post-prandial emotions after blissfully breaking some fast, less mercilessly prolonged, we will hope, than that of these besieged banqueters, and then, though unaided by the fancy which conceived so quaint a situation, he may perhaps imagine what tearful tenderness would fill the eyes of the kind-hearted Frederic, as they contemplate the well-picked bones of his sacrificed favourite on the plate before him; which he pushes away, sighing, "Ah, poor Fox! how he would have enjoyed those bones!" The chapter immediately following this one also remains unfinished. It was not intended to close the narrative thus left uncompleted; but of those many and so various works which have not unworthily associated with almost every department of literature the name of a single English writer, it is CHAPTER THE LAST. Had the author lived to finish it, he would doubtless have added to his Iliad of the Siege of Paris its most epic episode, by here describing the mighty combat between those two princes of the Parisian Bourse, the magnanimous Duplessis and the redoubtable Louvier. Amongst the few other pages of the book which have been left unwritten, we must also reckon with regret some pages descriptive of the reconciliation between Graham Vane and Isaura Cicogna; but, fortunately for the satisfaction of every reader who may have followed thus far the fortunes of Die Parisians, all that our curiosity is chiefly interested to learn has been recorded in the Envoi, which was written before the completion of the novel.