The beauty of its situation, the river and ancient ponds, united with the antiquities of the place, render Cotehele one of the most curious and worthy of attention in the West of England; and the following description, taken in 1830 by an architectural correspondent of the Gentleman’s Magazine, is therefore extracted from that miscellany for 1833. “There is a singularity about this Mansion, which requires to be accounted for. It cannot claim an origin in very remote antiquity, the earliest parts being not older than the reign of Henry the Seventh; yet the narrowness of the windows and other openings, and the tower above the gateway, would lead to the idea that it was built in an early insecure period. This, I think, may be accounted for from the fact that the builder, Sir Richard Edgecombe, had encountered personal danger in the wars of the Roses, and probably erected his mansion in the early part of the reign of Henry the Seventh, so soon after the conclusion of the conflict, that he might be impressed with the fear that the reign of the newly enthroned monarch might not be more peaceable than that of his predecessors, and he adopted under these impressions the style which the mansion now displays. “The house is quadrangular, with a court-yard in the centre; and, like the generality of the mansions of antiquity, has the appendage of a hall and chapel. It is built of moor-stone in irregular courses, though some of the blocks are exceedingly large. The west front is not imposing, from the want of height, which detracts from its general appearance. The entrance is not in the centre, and is only wide enough for foot passengers; it consists of an obtuse pointed arch, slightly moulded with foliage on the spandrils, which is inclosed within another of larger dimensions with a weather cornice, and on the space between the two is a blank shield accompanied by two bold leaves. The windows are situated high in the wall; they are of small dimensions, being in fact little more than enlarged loopholes. The chimneys are square, having caps formed with coping stones. Above the entrance is a tower of a cubical form, with an embattled parapet. On entering the court through the gateway, the Hall is seen in the front, and near it, on the west side of the quadrangle, the lantern window of the Chapel.