Americans -- England -- Fiction; World War, 1914-1918 -- England -- Fiction
And if those had been her crimes in the international sphere, what
better record could she show in the management of human affairs at
home? She had clung to the feudal idea of class distinction, only
surrendering a few outposts reluctantly to the imperious onslaught of
time; she had maintained a system of public schools which produced
first-class snobs and third-rate scholars; she had ignored the rights
of women until in very desperation they had resorted to the crudities
of violence in order to achieve some outlet for the pent-up uselessness
and directionlessness of their sex; she had tolerated vile living
conditions for the poor, and had forced men and women to work under
conditions which were degrading and an insult to their Maker. . . .
One by one these dragons reared their heads and fell to the gleaming
Excalibur of the author.
Selwyn made one vital error--he mistook facts for truth. He forgot
that a sequence of facts, each one absolutely accurate in itself, may,
when pieced together, create a fabric of falsehood.
There were many contributing influences to Austin Selwyn's denunciation
of Britain that morning. Although he had ordered sentiment and
prejudice to leave his mind unclogged, these two passions cannot be
dismissed by mere will-power.
He was keenly moved by the meeting with Dick Durwent, and, almost
unknown to himself, his love for Elise was a smouldering fever whose
fumes mounted to his head. Love is so overpowering that it overlaps
the confines of hate, and his hunger for her was mixed with an almost
savage desire to conquer her, force homage from her. And she was
English!
In addition to these undercurrents affecting his thoughts, there was
the dislike towards England which lies dormant in so many American
breasts. Gloss it over as they will, no political _entente_ can do
away with the mutual dislike of Americans and Englishmen. It is a
thing which cannot be eradicated in a day, but will die the sooner for
exposure to the light, being an ugly growth of swampy prejudice and
evil-smelling provincialism that needs the darkness and the damp for
life.
Mingling these subconscious elements with those of logic and reason,
Selwyn wrote for two days, almost without an hour's rest, and when it
was finished 'The Island of Darkness' was a powerful, vivid, passionate
arraignment of England, the heart of the British Empire. It was
clever, full of big thoughts, and glowed with the genius of a man who
had made language his slave.
It lacked only one ingredient, a simple thing at best--_Truth_.
But that is the tragedy of idealism, which studies the world as a
crystal-gazer reading the forces of destiny in a piece of glass.
III.
Public-domain text, read in full here on John Shaqi.
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