Mr. Benjamin removed his spectacles and wiped them carefully. Putting them on, he surveyed his visitor through them. After that he took them off again, and winked confidentially. 'Mr. Selwyn,' he chuckled, 'you ain't a child, and I see that I can't put over any sob stuff with you. I told your agent I would pay him real money for you to lecture. Well, take it from me, when the president of the United Manufacturing Corporation pays out any of his greenbacks he don't expect nothing for something, eh?' 'I don't understand you--yet,' said Selwyn quietly. Mr. Benjamin leaned back in his swivel-chair and cut the end of a cigar with a little silver knife. 'Business,' he said, 'is business, eh?' 'Agreed,' was the terse response. 'I am still waiting to know why you offered your money to me.' Mr. Benjamin leaned forward, and taking up his glasses, waved them hypnotically at the young man. 'Simply business,' he said. 'Same with you--same with me. You write all this dope against war--why? Because you know there's big money in it. I pay you to lecture because you can help to keep America out of the war. In 1913 I was worth two hundred thousand dollars. To-day I have ten million. We are wise men, Mr. Selwyn, both of us. While all the rest of the peoples fight, you and I make money.' As if his bones were aching with fatigue, Austin Selwyn rose wearily to his feet, and, without comment, walked slowly out of the office. But the clerks noticed that his face was ashy-pale, like that of a prisoner who has received the maximum sentence of the law. III. The days that followed were the bitterest Austin Selwyn had ever known. It is not in the plan of the Great Dramatist that men shall look on life and not play a part. It is true that there are a few who escape the call-boy's summons, and gaze on human existence much as a passing pageant, but even for them is the knowledge that there is a moment called Death when every man must take the stage. For years Austin Selwyn had stood apart, mingling with those who were enduring the sword-thrusts of fate, as an author chats with the players on the stage between the acts. Even the great tragedy of war had served only to enrich the processes of his mind. It is true he had known compassion, sorrow, and anger through it, but they were only counterfeit emotions, born of the grip of war on his imagination. But at last life had reached out its talons and grasped him. Every human experience he had avoided, he was now to know, multiplied. Stripped of his last hope of justifying his idealism, he saw remorse, discouragement, a sense of utter futility, the scorn of friends, the applause of traitors--he saw them all as shadows closing into blackness ahead of him.