The Party and Other StoriesChekhov, Anton Pavlovich
General
The Party and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
After a long introduction, containing many words such as dæmonic
sensuality, a network of the most delicate nerves, simoom, crystal,
and so on, he began at last telling the story of the novel. He did
not tell the story so whimsically, but told it in minute detail,
quoting from memory whole descriptions and conversations; the
characters of the novel fascinated him, and to describe them he
threw himself into attitudes, changed the expression of his face
and voice like a real actor. He laughed with delight at one moment
in a deep bass, and at another, on a high shrill note, clasped his
hands and clutched at his head with an expression which suggested
that it was just going to burst. Anna Akimovna listened enthralled,
though she had already read the novel, and it seemed to her ever
so much finer and more subtle in the lawyer's version than in the
book itself. He drew her attention to various subtleties, and
emphasized the felicitous expressions and the profound thoughts,
but she saw in it, only life, life, life and herself, as though she
had been a character in the novel. Her spirits rose, and she, too,
laughing and clasping her hands, thought that she could not go on
living such a life, that there was no need to have a wretched life
when one might have a splendid one. She remembered her words and
thoughts at dinner, and was proud of them; and when Pimenov suddenly
rose up in her imagination, she felt happy and longed for him to
love her.
When he had finished the story, Lysevitch sat down on the sofa,
exhausted.
"How splendid you are! How handsome!" he began, a little while
afterwards in a faint voice as if he were ill. "I am happy near
you, dear girl, but why am I forty-two instead of thirty? Your
tastes and mine do not coincide: you ought to be depraved, and I
have long passed that phase, and want a love as delicate and
immaterial as a ray of sunshine--that is, from the point of view
of a woman of your age, I am of no earthly use."
In his own words, he loved Turgenev, the singer of virginal love
and purity, of youth, and of the melancholy Russian landscape; but
he loved virginal love, not from knowledge but from hearsay, as
something abstract, existing outside real life. Now he assured
himself that he loved Anna Akimovna platonically, ideally, though
he did not know what those words meant. But he felt comfortable,
snug, warm. Anna Akimovna seemed to him enchanting, original, and
he imagined that the pleasant sensation that was aroused in him by
these surroundings was the very thing that was called platonic love.
He laid his cheek on her hand and said in the tone commonly used
in coaxing little children:
"My precious, why have you punished me?"
"How? When?"
"I have had no Christmas present from you."
Anna Akimovna had never heard before of their sending a Christmas
box to the lawyer, and now she was at a loss how much to give him.
But she must give him something, for he was expecting it, though
he looked at her with eyes full of love.
Public-domain text, read in full here on John Shaqi.
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