The Party and Other StoriesChekhov, Anton Pavlovich
General
The Party and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
The lamp in the big room was the only light burning in the upper
story, and it sent a glimmer through the door into the dark
drawing-room. It was between nine and ten, not later. Anna Akimovna
played a waltz, then another, then a third; she went on playing
without stopping. She looked into the dark corner beyond the piano,
smiled, and inwardly called to it, and the idea occurred to her
that she might drive off to the town to see some one, Lysevitch for
instance, and tell him what was passing in her heart. She wanted
to talk without ceasing, to laugh, to play the fool, but the dark
corner was sullenly silent, and all round in all the rooms of the
upper story it was still and desolate.
She was fond of sentimental songs, but she had a harsh, untrained
voice, and so she only played the accompaniment and sang hardly
audibly, just above her breath. She sang in a whisper one song after
another, for the most part about love, separation, and frustrated
hopes, and she imagined how she would hold out her hands to him and
say with entreaty, with tears, "Pimenov, take this burden from me!"
And then, just as though her sins had been forgiven, there would
be joy and comfort in her soul, and perhaps a free, happy life would
begin. In an anguish of anticipation she leant over the keys, with
a passionate longing for the change in her life to come at once
without delay, and was terrified at the thought that her old life
would go on for some time longer. Then she played again and sang
hardly above her breath, and all was stillness about her. There was
no noise coming from downstairs now, they must have gone to bed.
It had struck ten some time before. A long, solitary, wearisome
night was approaching.
Anna Akimovna walked through all the rooms, lay down for a while
on the sofa, and read in her study the letters that had come that
evening; there were twelve letters of Christmas greetings and three
anonymous letters. In one of them some workman complained in a
horrible, almost illegible handwriting that Lenten oil sold in the
factory shop was rancid and smelt of paraffin; in another, some one
respectfully informed her that over a purchase of iron Nazaritch
had lately taken a bribe of a thousand roubles from some one; in a
third she was abused for her inhumanity.
The excitement of Christmas was passing off, and to keep it up Anna
Akimovna sat down at the piano again and softly played one of the
new waltzes, then she remembered how cleverly and creditably she
had spoken at dinner today. She looked round at the dark windows,
at the walls with the pictures, at the faint light that came from
the big room, and all at once she began suddenly crying, and she
felt vexed that she was so lonely, and that she had no one to talk
to and consult. To cheer herself she tried to picture Pimenov in
her imagination, but it was unsuccessful.
Public-domain text, read in full here on John Shaqi.
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