In the Solutrean Period the Cro-Magnons shared Europe with a new race known as the Brünn-Předmost, found in central Europe. This race is characterized by a long face as well as a long skull, and was, therefore, harmonic. This Brünn-Předmost race appears to have been well settled in the Danubian and Hungarian plains and this location indicates an eastern rather than a southern origin. Good anatomists have seen in this race the last lingering traces of the Neanderthaloids but it is more probable that we have here the first advance wave of the primitive forerunners of one of the modern European dolichocephalic races. This new race was not artistic, but had great skill in fashioning weapons and possibly is associated with the peculiarities of Solutrean culture and the decline of art which characterizes that period. The artistic impulse of the Cro-Magnons which flourished so vigorously during the Aurignacian seems to be quite suspended during this Solutrean Period, but reappears in the succeeding Magdalenian times. This Magdalenian art is clearly the direct descendant of Aurignacian models and in this closing age of the Cro-Magnons all forms of Paleolithic art, carving, engraving, painting and the manufacture of weapons, reach their highest and final culmination. Nine or ten thousand years may be assigned to the Aurignacian and Solutrean Periods and we may with considerable certainty give the minimum date of 16,000 B. C. as the beginning of Magdalenian time. Its entire duration can be safely set down at 6,000 years, thus bringing the final termination of the Magdalenian to 10,000 B. C. All these dates are extremely conservative and the error, if any, is in assigning too late and not too early a period to the end of Magdalenian times. At the close of the Magdalenian we enter upon the last period of Paleolithic times, the Azilian, which lasted from about 10,000 to 7,000 B. C., when the Upper Paleolithic, the age of chipped flints, definitely and finally ends in Europe. This period takes its name from the Mas d’Azil, or “House of Refuge,” a huge cavern in the eastern Pyrenees where the local Protestants took shelter during the persecutions. The extensive deposits in this cave are typical of the Azilian epoch and here certain marked pebbles may be the earliest known traces of symbolic writing, but true writing was probably not developed until the late Neolithic. With the advent of this Azilian Period art entirely disappears and the splendid physical type of the Cro-Magnons is succeeded by what appear to have been degraded savages, who had lost the force and vigor necessary for the strenuous chase of large game and had turned to the easier life of fishermen.