England -- Social life and customs -- 18th century -- Fiction; Health resorts -- Fiction
It is characteristick of the Beau that in this critical juncture of
affairs, he preserved his faculties so intact, that he was able without
affectation to choose deliberately between a dressing-gown of flowered
damask and a more diaphanous wrapper of dove-grey China silk. In
deference to the season he selected the latter.
As he passed the door of his third dressing-room, he could see Mr. Mink,
apparently unconscious of anything untoward in the air, blowing with
steady breaths upon a remarkably hot pair of curling-tongs. The calm
demeanour of his gentleman restored whatever was still lacking to Mr.
Ripple's perfect equilibrium of mind.
With gentle steps, he descended the quiet stairs and, candlestick in
hand, proceeded to draw back the cunningly wrought bolts of the front
door.
"Mr. Ripple, I must speak to you," said Charles.
"Charles," said the Beau, "this visit is either vastly important or--it
is vastly impertinent. Pray, what is your business, sir?"
"Business?" repeated Charles, on whom the effort of concentration was
beginning to tell slightly. "Business?"
"Yes, business, sir, business; for I presume you are not situated on my
doorstep for pleasure."
"I want to speak to you."
"Come to-morrow."
"Nay, sir, I must speak with you now. I'm in a devilish mess and need
the advice of a man who has seen--who has seen----"
"Well, sir?" said the Beau, shading his candle in such a way that the
pallid flickering rays lit up the young man's countenance.
"D----! I don't know, Ripple, but for God's sake don't stand there with
that infernal candle dancing all over my face. Let me come in."
Whether it was the note of misery in our hero's voice or his drawn face
or merely a whim of a great man's naturally eccentrick mind that made
the Beau beckon Charles to follow him upstairs to the tall white
drawing-room, where even still the fire glowed dully, will never be
known. Any way, beckon to him he did, and having set down the taper on
the high mantelpiece, seated himself beside the fire and began
meditatively to toast his embroidered morocco pumps.
There they sat in the great drawing-room, the King and his Heir
Presumptive, and very ghostly they looked in the wan light, and very
unreal the whole experience seemed to Charles in after life.
"'Tis about this book."
"What book?"
"This satire."
"You wrote it?"
"Aye," with great weariness.
"_You_ wrote it? 'Foregad, Charles, I should never have believed that."
"But I never--I never wrote those lines."
"What lines?" Mr. Ripple, having admitted much, would admit no more.
"About Miss Courteen and the Maze, and the whole d----d, d----d, d----
d----"
No substantive was strong enough to suit the emphatick epithets thrice
repeated.
"And who, may I ask, was the author of those graceful stanzas?"
Public-domain text, read in full here on John Shaqi.
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