England -- Social life and customs -- 18th century -- Fiction; Health resorts -- Fiction
She had to pass the end of the Crescent on her way, and hurried past,
afraid for her life to see Mrs. Courteen sailing round the corner. She
was now outside the Great House, and could not help looking up to the
big bow-windows to see if Mr. Ripple was there. There he was, very calm
and very dignified, but a little out of focus because his windows all
had such very thick glass. She caught his eye, and the Great little Man
smiled at her. She smiled back and blushed, thinking of the meeting of
yesterday. Suddenly the window shot up, and Phyllida turned her head to
see the Beau beckoning. She stopped in dismay, while Mr. Ripple, having
first spread his handkerchief on the sill, leaned out to speak to her.
"Pray pardon this ungenteel summons, my dear Miss Courteen, but if you
would not consider yourself compromised by such an adventure, I should
be vastly honoured by your inspection of some proper new prints which
have fallen into my hands."
Miss Courteen was overwhelmed by this invitation. What could she do but
murmur assent?
The Beau, with a delightfully suave gesture, hurried to open the front
door for Miss Courteen who tripped up the dazzling white steps, all
swansdown and blushes.
Mr. Ripple begged her to follow him upstairs to the drawing-room and be
seated before the fire.
It was a fine high room of good proportions, with three large
sash-windows and a wrought-iron balcony running along the breadth of the
house. The walls were panelled and painted white, and the floor was
stained and varnished to a glaze of immense brilliancy. The rugs
scattered about it were Aubusson, of rare hues in fawn and puce and
faded lavender and old rose interwoven with queer dead greens. There
were several prints on the walls, mostly after Watteau and Fragonard.
The whole room wore the indescribable air that is only to be found in
the house of a bachelor of comfortable means, good taste and a certain
age. There was no trace of a woman's hand in its arrangement, and yet
one felt that the owner, through long seclusion from the other sex, had
softened towards it with the years until, secure at last, he was able to
admit a feminine cirrhus into the limpid and rarefied air of his remote
celibacy.
Phyllida, as she watched the firelight ripple in orange wavelets across
the surface of the blue and white Dutch tiles set on either side of the
hob, wondered what the Beau meant by this sudden invitation.
Just then he begged to be excused for a moment while he fetched the
portfolio containing his new purchase.
She heard the door gently closed and looked round the room.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account