The Passionate FriendsWells, H. G. (Herbert George)
General
The Passionate Friends
Wells, H. G. (Herbert George)
Triangles (Interpersonal relations) -- Fiction
Everybody was acting very badly, nobody was word-perfect and a rasping
prompter would not keep ahead as he ought to have done; the scenery and
the make-ups were daubs, and I was filled with amazement that having
quite wantonly undertaken to do this thing these people could then do it
so slackly. Then a certain sudden warmth in the applause about me
quickened my attention, and I realized the satirical purport of drunken
old father Eccles, and the moral intention of his son-in-law, the
plumber. Between them they expressed the whole duty of the workingman as
the prosperous Victorians conceived it. He was to work hard always at
any job he could find for any wages he could get, and if he didn't he
was a "drunken shirker" and the dupe of "paid agitators." A comforting
but misleading doctrine. And here were these people a decade on in the
twentieth century, with Time, Death, and Judgment close upon them, still
eagerly applauding, eager to excuse their minds with this one-sided,
ungracious, old-fashioned nonsense, that has done so much to intensify
the deepening class antagonisms that strain us now at home almost to the
breaking point!
How amazingly, it seemed, those people didn't understand and wouldn't
understand any class but their own, any race but their own, any usage
other than their use! Covertly I surveyed the colonel's profile. It
expressed nothing but entire satisfaction with these disastrous
interpretations. What a weather-worn thought-free face that grizzled
veteran showed the world!
I was seized with a sudden curiosity to see how the private soldiers
behind me were taking old Eccles. I turned round to discover cropped
heads and faces as expressionless as masks, and behind them dusky faces
watching very alertly, and then other dusky faces, Eurasians, inferiors,
servants, natives.
Then at a sharp edge the glare of our lighting ceased and the canvas
walls of our narrow world of illusion opened into a vast blue twilight.
At the opening stood two white-clad Sikhs, very, very still and
attentive, watching the performance, and beyond them was a great space
of sky over a dim profile of trees and roofs and a minaret, a sky
darkling down to the flushed red memory--such a short memory it is in
India--of a day that had gone for ever.
I remained staring at that for some time.
"Isn't old Eccles _good_?" whispered the colonel's wife beside me, and
recalled me to the play....
Somehow that picture of a narrow canvas tent in the midst of immensities
has become my symbol for the whole life of the governing English, the
English of India and Switzerland and the Riviera and the West End and
the public services....
Public-domain text, read in full here on John Shaqi.
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