Riperdá, Juan Guillermo, Duke of, 1680-1737 -- Fiction; Wharton, Philip Wharton, Duke of, 1698-1731 -- Fiction
The opera-house presented but a gloomy appearance, from the extreme
scarcity of light, till the curtain drew up, and discovered a brilliant
chandelier, which hung directly over the actors. The illumination
of the stage cast the audience into deeper obscurity; therefore, of
the company in the boxes Louis had very little cognizance, while the
dresses and decorations of the opera, and the exquisite singing, might
have filled him with admiration, had not the style of the music,
reminded him of the first time he had heard the like, when the fair
Italian sung in his uncle's castle. He recollected his consequent
feelings that night; and humiliated in the remembrance, compared those
hours of infatuation, with his admiration of Otteline, and exclaimed to
himself--"What a slave have I been, to my eye and ear! Music, I shall
never like again; and beauty I shall abhor!"
As there was little of the latter, excepting youth and a blooming
complexion, in the smiling Amelia, to warn him of his abjuration; her
incessant questions and remarks on what was going forward on the stage,
amused him; and his attention to what she said, gratified the views of
her mother.
Apostola Zero, the father of the regular Italian Opera, had been
invited to Vienna by the Emperor; and to reward his acquiescence,
Charles invested him with two dissimilar, but productive
employments--Imperial historiographer, and poet of the court opera.
The grateful Italian dedicated his comprehensive genius solely to his
munificent patron; and the present performance was the first night of
a new composition he had formed on the story of Proserpine. The last
act was a representation of the infernal kingdom; laying bare the
foundations of Ætna, and exhibiting all the terrors of the subterranean
world. The curtain had hardly dropped, which it did in some confusion,
when an extraordinary bustle was heard behind the scenes. Soon after,
the theatre filled with smoke, and cries of fire were distinctly heard
from behind. Persons from the boxes jumped on the stage, while the
curtain was rent down by those before and behind it; and the scene
of horror that was discovered to those, who were not so entirely
absorbed in their fears but they could look around them, is not to
be described. The fire was seen bursting in several directions; men
were mounted aloft on the burning rafters, breaking down with their
hatchets the combustible apparatus in the way. Water was dashing and
streaming everywhere. The terrible light which filled the stage, too
well pourtrayed the inside of a raging volcano; sheets of flame, like
forked tongues, threw themselves forward from a thousand gaping mouths,
licking the ceiling, and entering the boxes. Shrieks, and groans, and
dismal cries, mingled with the iron clang of hammers, the fall of
timber, and the rush of fire and of people, assailed the ear in one
horrid moment of time.
Public-domain text, read in full here on John Shaqi.
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