"Of course it shines. That was what it was doing," he said, coming and
looking at the sketch over her shoulder a minute, his hands full of the
things he had collected from the ground. "They said they'd send a
servant for all this, and they didn't. I hate carrying things."
"I'll carry some," said Ingeborg.
"Nonsense. And you're not going there."
"I've been. But I'd go back as far as the steps if you like."
"Nonsense. I'll leave them at the foot of this tree. He'll see them all
right."
"Not this--you mustn't leave this," she said, still gazing at the
sketch.
"No. I'll take that. And I'm coming with you a little way, because I
can't conceive where you can be going to at this time of the day that
isn't to the Glambecks', and I'm curious. Also because it's so funny of
you to be English."
"I think it's much funnier of you," said Ingeborg, picking up a pencil
out of a rut in the sand and adding it to the pile he was making against
the trunk of the nearest tree. "And I'm only going home."
"Home?"
He undid the pile and began again. He had got it wrong. The camp-stool,
of course, must be the foundation, then the smaller fly-away things,
then, neatly folded and tucking them all in, the mackintosh. She must be
an English governess or superior nurse on a neighbouring estate since
she talked of home. If so he did not want to go with her; nothing he
could think of seemed to him quite so tiresome as an English governess
or superior nurse.
He finished tucking in the mackintosh and turned round and took the
sketch from her. He was, she perceived, a long, thin-necked man with a
short red beard. She was, he perceived, somebody in a badly fitting
tweed coat and skirt, a person with a used sort of nose and weak eyes.
"Now then," he said, "I'll go with you anyhow to the end of the avenue.
Where is home?"
"Kökensee," said Ingeborg, trotting to keep up with him. "It's the next
village. I'm the pastor's wife."
Ingram--for it was that celebrated artist, then at thirty-five, already
known all over Europe as more especially and letting alone his small
exquisite things a surprising, indeed a disturbingly surprising painter
of portraits--glanced down at her and stepped out more vigorously.
"That's an amusing thing to be," he said. "And quite new."
"It isn't very new. I've been it eighteen months. Why do you think it's
amusing?"
"It's different from anything else. Nobody was ever a pastor's wife
in--what did you call it?--before."
"Kökensee."
"Kökensee. Kökensee. I like that. You're unique to live in Kökensee.
Nobody else has achieved that."
"It wasn't very difficult. I just stayed passive and was brought."
"And they didn't mind?"
"Who didn't?"
"Your people. Your father and mother. Or are you Melchisedec and never
had any?"
"Why should they mind?"
"Coming so far. It's rather the end of the world. You're right up
against the edge of Russia."
"I wanted to."
Public-domain text, read in full here on John Shaqi.
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