"You got into my imagination that day I met you and you've been in it
ever since. I was in the stupidest state of dull giving in. You pulled
me out."
He stared at her, his chin on his hand. "Imagine me pulling anybody out
of anything," he said. "Generally I pull them in."
"It's true I've had relapses," she said. "Five relapses."
"Five?"
She nodded. "Five since then. But here I am, seething as you call it,
and it's you who started me, and I believe I shall go on now doing it
uninterruptedly for ever."
Ingram put out his hand with a quick movement, as though he were going
to touch the edge of her dress. "Teach me how to seethe," he said.
"That's rather like asking a worm to give lessons in twinkling to a
star."
"Wonderful," he said softly, after a little pause, "to lie here having
sweet things said to one. Why didn't I find you before? I've been being
bored at the Glambecks' for a whole frightful week."
"Oh, have you been there a week already?" she asked anxiously. "Then
you'll go away soon?"
"I was going to-morrow."
"That's like last time. You were just going when I met you."
"But now I'm going to stay. I'm going to stay and paint you."
She jumped. "_Oh!_" she exclaimed, awe-struck. "_Oh_--"
"Paint you, and paint you, and paint you," said Ingram, "and see if I
can catch some of your happiness for myself. Get at your secret. Find
out where it all comes from."
"But it comes from you--at this moment it's all you--"
"It doesn't. It's inside you. And I want to get as much of it as I can.
I'm dusty and hot and sick of everything. I'll come and stay near you
and paint you, and you shall make me clean and cool again."
"The stuff you talk!" she said, leaning forward, her face full of
laughter. "As though I could do anything for _you_! You're really making
fun of me the whole time. But I don't care. I don't care about anything
so long as you won't go away."
"You needn't be afraid I'm going away. I'm going to have a bath of
remoteness and peace. I'll chuck the Glambecks and get a room in your
village. I'll come every day and paint you. You're like a little golden
leaf, a beech leaf in autumn blown suddenly from God knows where across
my path."
"Now it's you making _me_ purr," she said.
"You're like everything that's clear and bright and cool and fresh."
"Oh," murmured Ingeborg, radiant, "and I haven't even got a tail to
wag!"
"Already, after only ten minutes of you, I feel as if I were eating
cold, fresh, very crisp lettuce."
"That's not nearly so nice. I don't think I like being lettuce."
"I don't care. You are. And I'm going to paint you. I'm going to paint
your soul. Tell me some addresses for lodgings," he said, snatching up a
sheet of paper and a pencil.
"There aren't any."
"Then I must stay at your vicarage."
"You'll have to sleep with Robert, then."
"What? Who is Robert?"
"My husband."
"Oh, yes. But how absurd that sounds!"
"What does?"
"Your having a husband."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account