Kökensee lay three miles along the highroad between Meuk and
Wiesenhausen, and they could see the spire of its little church over the
fields on the left the whole way. The road, made with as few curves as
possible, undulated gently up and down between rye-fields. It was
carefully planted on each side with mountain ashes, on that day in full
flower, and was white and hard as though there had been no rain for a
long while. The wind blew gaily over the rye; the sky was flecked with
small white clouds. Ingeborg could see for miles. And there were dark
lines of forest, and flashes of yellow where the broom grew, and shining
bits of water, and larks quivering out joy, and everywhere on the higher
places busy windmills, and the whole world seemed to laugh and flutter
and sing.
"It's beautiful--oh, beautiful!" she said.
"Beautiful? I tell you what is beautiful, Little One--the fat red soil
of your girlhood's home. The fat red soil and the steady drip, drip of
the heavens."
And he bent forward and inquired of Johann when it had rained last, and
became very gloomy on hearing that it was three weeks ago, and said
things to himself in German. They seemed to be unpastoral things, for
Ingeborg saw Johann's ears lifted up by what was evidently, in the front
of his face, being a grin.
A weather-beaten sign-post with one bent arm pointed crookedly down a
field-track at right angles to the road, and with a lurch and a heave
they tilted round the corner. There was an immediate ceasing of sound.
She could now hear all sorts of little birds singing besides
larks--chaffinches, tits, yellow-hammers, black-caps. The carriage
ploughed along slowly through the deep sand between rye that grew more
reluctantly every yard. The horses were completely sobered and covered
with sweat. Before them on an upward slope was Kökensee, one long
straggling street of low cottages lying up against the sunset, its
church behind it, and near the church two linden trees which were the
trees, she knew for she had often made him tell her, in front of her
home.
Public-domain text, read in full here on John Shaqi.
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