Aristocracy (Social class) -- Fiction; Upper class -- England -- Fiction
down her fears returned with redoubled force-the cold sickly horrible
feeling of uncertainty, of the knowledge that she could do nothing but
wait till she was relieved by something over which she had no control.
And in the superstition that to stay there in the window where she could
see him come, was keeping him from her, she went into her bedroom. From
there she could watch the sunset clouds wine-dark over the river. A
little talking wind shivered along the houses; the dusk began creeping
in. She would not turn on the light, unwilling to admit that it
was really getting late, but began to change her dress, lingering
desperately over every little detail of her toilette, deriving therefrom
a faint, mysterious comfort, trying to make herself feel beautiful. From
sheer dread of going back before he came, she let her hair fall, though
it was quite smooth and tidy, and began brushing it. Suddenly she
thought with horror of her efforts at adornment—by specially preparing
for him, she must seem presumptuous to Fate. At any little sound she
stopped and stood listening—save for her hair and eyes, as white from
head to foot as a double narcissus flower in the dusk, bending towards
some faint tune played to it somewhere oft in the fields. But all those
little sounds ceased, one after another—they had meant nothing; and each
time, her spirit returning—within the pale walls of the room, began once
more to inhabit her lingering fingers. During that hour in her bedroom
she lived through years. It was dark when she left it.
CHAPTER XVI When Miltoun at last came it was past nine o'clock.
Silent, but quivering all over; she clung to him in the hall; and this
passion of emotion, without sound to give it substance, affected him
profoundly. How terribly sensitive and tender she was! She seemed to
have no armour. But though so stirred by her emotion, he was none the
less exasperated. She incarnated at that moment the life to which he
must now resign himself—a life of unending tenderness, consideration,
and passivity.
For a long time he could not bring himself to speak of his decision.
Every look of her eyes, every movement of her body, seemed pleading with
him to keep silence. But in Miltoun's character there was an element
of rigidity, which never suffered him to diverge from an objective once
determined.
When he had finished telling her, she only said:
“Why can't we go on in secret?”
Public-domain text, read in full here on John Shaqi.
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