The Pawns CountOppenheim, E. Phillips (Edward Phillips)
General
The Pawns Count
Oppenheim, E. Phillips (Edward Phillips)
Detective and mystery stories
"You must leave that to me," he answered. "I will tell you as much as I
can. I stopped Nikasti sailing for Japan, but I made a mortal enemy of
him at the same time. He has come to Washington to consult with his
Ambassador. They are together tonight. It is my mission to convince
them of Germany's duplicity."
"I see.... And you think that these written words--?"
"Give the key to me," he begged, "and ask no questions."
She shook her head.
"I should object most strongly to nocturnal disturbers of my slumbers!"
It seemed to her that his frame had become tenser, his tone harder. The
grip of his fingers was still upon her wrist.
"Even your objection," he said, "might not relieve you of the
possibility of their advent."
"Don't be silly," she answered, "and, above all, don't try to threaten
me. If you want my help--"
She looked steadfastly across at the looming outline of the Hastings'
house.
"I do want your help," he assured her.
"How long should you require the letter for?"
"One hour," he replied.
She led him down some steps on to the smooth lawns which encircled the
house. They passed in and out of some gigantic shrubs until at last
they came to a paling. She felt along it for a few yards.
"There is a gate there," she told him. "Can you do anything with it?"
It was fastened by an old lock. He lifted it off its hinges, and they
both passed through.
"Keep behind the shrubs as much as you can," she whispered. "There is a
way into the house from the verandah here."
They reached at last the shadow of the building. She paused.
"Wait here for me," she continued. "I would rather enter the house
without being seen, if I can, but it doesn't really matter. I can make
some excuse for coming back. Don't move from where you are."
She glided away from him and disappeared. Lutchester waited, standing
well back in the shadow of the shrubs. From the Embassy came all the
time the sound of music, occasionally even the murmur of voices; from
the dark house in front of him, nothing. Suddenly he heard what seemed
to be the opening of a window, and then soft footsteps. Pamela appeared
round the corner of the building, a white, spectral figure against that
background of deep blue darkness. She came on tiptoe, running down the
steps and holding her skirts with both hands.
"Not a soul has seen me," she whispered. "Take this quickly."
She thrust an envelope into his hands, and something hard with it.
"That's Uncle Theodore's seal," she explained. "He sealed up the
envelope when he put it in there. Now come back quickly to the Embassy.
You must please hurry with what you want to do. If I have left when you
return, you must come back to exactly this place. That window"--she
pointed upwards--"will be wide open. You must throw a pine cone or a
pebble through it. I shall be waiting."
"I understand," he assured her.
Public-domain text, read in full here on John Shaqi.
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