The exposure of a peach-plantation is, without doubt, a matter of some
importance in choosing a site but the value of particular exposures to
avoid frosts and secure early, late, or highly colored fruits has been
greatly over-emphasized by horticultural writers if New York orchards
be taken as criteria. The theory is most plausible. It runs, in brief:
Northward slopes are best for peaches in frosty regions since on such
slopes plants remain dormant longest thereby often escaping spring
frosts. Southward slopes should be selected for early varieties, the
sun and warmth of such an exposure supposedly hastening the ripening
time. Now the facts are, as we observe them, the peach blossoms with
the first burst of spring warmth whether the slope face north or south;
and whether north or south makes little difference in ripening because
the intense heat of our New York summers submerges slight differences
appearing early in the season because of exposure. About all that shows
in the matter of exposure for peach-orchards, in this State is that the
best slopes are toward the water to secure the effects that dictate the
location of orchards near water.
One comes across many peach-orchards in New York in the shelter of
high hills or heavy forests for which the trees usually show gratitude
in vigor and fruitfulness, provided hill or wood does not shade the
orchard too much. Hills and woods provide desirable shelter only when
so situated as to protect against winter winds and summer storms. A
most remarkable example of winter protection by a forest was to be
seen a few years ago on the somewhat noted fruit-farm of Mr. Grant
Hitchings near South Onondaga where peaches are at the limit as regards
temperature. Here was a peach-orchard half of which was terribly
injured by winter-killing and the other half, protected by a forest a
quarter-mile away, was wholly unhurt. Yet windbreaks have seldom proved
satisfactory, usually developing as many or more disadvantages than
advantages.
STOCKS AND THE PROPAGATION OF PEACHES
Public-domain text, read in full here on John Shaqi.
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