The peasants, [vol. 1] : $b AutumnReymont, Władysław Stanisław
General
The peasants, [vol. 1] : $b Autumn
Reymont, Władysław Stanisław
Peasants -- Poland -- Fiction; Polish fiction -- Translations into English
And then began such a running fire of witty sayings, jests, comic tales,
and joyous banter, that they all shook with laughter. In this field,
Ambrose was the recognized leader, and chaffed his hearers to their very
faces with so much humour and fun that they were like to split their
sides. Amongst the women, Vachnikova yielded to none for drollery; she
played first fiddle in that respect, with the Voyt for bass-viol, so far
as his official dignity permitted.
The musicians sawed away as hard as they could, and scraped out the
liveliest tunes they had; and the dancers were shuffling along as fast,
and shouting, and screaming, and tapping with nimble heels. Blithe and
delighted, they had forgotten the rest of the world, when one of them
chanced to notice Yankel standing outside in the passage. At once they
pulled him into the room. The Jew took off his cap, with amicable bows
and salutations to all present, and taking no notice of the nicknames
showered upon him.
“Yellow one!—Unchristened one!—Son of a mare!”
“You be quiet there!” cried the Voyt. “Let us treat him! Here, a glass
of the best vodka!”
“I was passing along the road, and wanted to see how you husbandmen
divert yourselves.—God reward you, Mr. Voyt.—I’ll take a drop of
vodka—why should I not?—to the health of the newly-wedded pair!”
Boryna raised the bottle and invited Yankel, who, after wiping the glass
with the skirt of his capote, covered his head, and tossed off one
glass, followed by a second.
“Stay a bit, Yankel: it will not make you unclean,” they cried out in a
merry vein. “Here, musicians, play us the Jewish dance, and Yankel will
caper to it.”
“Yes, I may dance; why not? ’Tis no sin.”
But ere the players had understood what was wanted of them, Yankel
slipped quietly into the passage, and vanished in the yard. He had come
to get back his gun.
They scarce noticed his exit. Ambrose had all the time gone on with his
entertainment, to which Vachnikova contributed a violoncello
accompaniment, so to speak. And he continued until supper-time, when the
music ceased, the tables were pushed forward, and the clatter of dishes
was heard: yet they still listened and he still held forth.
Boryna invited them to sup, but without effect. Yagna asked them again
and again. The Voyt only got her into the circle, made her sit down by
him, and held her by the hand.
It was Yasyek (nicknamed Topsy-turvy) who bellowed out: “Come, good
folk, and set to: the dishes are cooling.”
“Hold your tongue, blockhead, or lick the dishes with it.”
“Old Ambrose! You are lying like a gipsy, and fancy we don’t know it!”
“Yasyek, take what folk put into your mouth: you’re good at that. But
leave me alone, you are no match for me!”
“No match! Just you try, then!” the foolish lad shouted. He thought
Ambrose meant fighting.
“An ox could do all you can ... or more!”
“Because you bear his Reverence’s night-vase, Ambrose, you think none
has wit but you.”
Public-domain text, read in full here on John Shaqi.
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