The People of Palestine: An enlarged edition of "The Peasantry of Palestine, Life, Manners and Customs of the Village"Grant, Elihu
General
The People of Palestine: An enlarged edition of "The Peasantry of Palestine, Life, Manners and Customs of the Village"
Grant, Elihu
Palestine -- Social life and customs; Palestinian Arabs -- Social life and customs; Peasants -- Palestine
The goats have very long flapping ears, which often get torn in the
briers as they hold their heads down to feed. On some breeds the ears
nearly, if not quite, touch the ground as the goats walk along. Goats
and sheep are allowed to overrun all the wild places for pasture, so
that any shoots of trees or shrubs that start are nibbled off. They
browse upon some of the driest and least promising ground. They flourish
best in the time of the rains. As the country’s surface is burned over
with the hot summer and autumn, the flocks are driven to the few moist
valleys.[156] Most frequently a boy is in charge of a smaller
flock.[157] He whiles away some of his time on a reed flute.[158] If his
animals get too far from him, or go in the wrong direction, he heads
them off with a call and by dropping a stone from his sling,[159] or
hand, just beyond them in the forbidden direction. The shepherd’s usual
weapon is a heavy oaken club, called locally _dibbûsy_ from its
resemblance in shape to a pin, the long handle being ended in a round,
heavy knob. This club is under three feet in length and weighs from one
to two pounds. It is a powerful weapon. Often, too, a shepherd will
carry one of those long, rickety, brassbound muskets that look very
dangerous,—for the manipulator. A leathern pouch, flint and steel, a
knife and a sling of woolen yarn complete the outfit, except the actual
clothing. The main garment is a long cotton shirt that comes to the
knees, belted with a leathern belt. For sleeping and for rainy weather
the homespun woolen overcoat, called an _‛abâyeh_, is worn. Shoes and
head-dress finish off the man, who is the loneliest of Syrians, though
he sings and plays and talks to his animals. Sometimes, as you see him
in silhouette against the sky-line, he seems to be transfixed on the
club or musket on which he leans, so long does he stand unchanged. When
he moves it is with singularly slow movements.
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[Illustration:
1.—HAND SPINNING 2.—REELING
3.—STRAIGHTENING THREADS FOR THE LOOM
]
Public-domain text, read in full here on John Shaqi.
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