Alan felt unable to move. He was petrified at the sight before him—at
the ghostly pageant of years gone by. Slowly the Rorkas—kings of æons
past—rose from their thrones and walked in single file to the end of the
cave. There they ranged themselves on either side of a slightly raised
platform of rock. They prostrated themselves, and Alan saw a thin vapour
rise and like a curtain shut out from sight the little stage. Then it
lifted, and through the shadowy film he saw strange figures disporting
themselves amid the strange scenery. Then, all at once, he realized that
he was watching shadowy figures of himself and Desmond and Mavis. He saw
their little cottage at Arroch Head; he witnessed their hasty flight in
the Argenta; once more he saw the destruction of the world, his world.
But this time it was different. Like a tiny star it shone white and
bright, then it shivered, turned red like a tiny ball of fire in the
sky, burst into a thousand different pieces, and then disappeared from
sight. And as it disappeared the scene clouded again, and the filmy
curtain of haze shut out the picture from his sight. The scene
changed—once more he saw himself as an actor on the stage, but this time
he was a minor character in the drama. Kulmervan was the villain, and
played the chief character. He witnessed their meeting in the little
lane—he watched the flight of the air bird, Chlorie—the descent, and the
abduction of the Ipso-Rorka. So the play went on until one more picture
showed clearly before him. He saw Chlorie—Chlorie in a gown of
diaphanous white with a crown of gold upon her head. By her side he
stood, crowned and with orb in hand; and between them stood a child—a
man child who bore traces of his mother’s beauty and his father’s
strength. Then darkness came upon the scene, and Alan drew his trembling
love still closer beside him.
Then the wraiths of the Rorkas became faint and misty, and when next he
looked, they had vanished from sight.
“We shall win through, my Alan,” said Chlorie. “The wraiths of our
Rorkas never show themselves except to the favoured few.”
“Do you know the way out from here?”
“Yes. Straight through yonder archway a passage leads to the sea. We are
not far from Hoormoori. The island is Waro—the Isle of Joy. It is a safe
place for Kulmervan to have chosen for his madness—no one would have
sought for evil here.”
“How far is Hoormoori then?”
“From where we emerge into the light, we shall see the citadels and
towers of my home. Oh Alan—the joyous moment when I can take you by the
hand and lead you to my father—my chosen one—my love.”
“How shall we reach the mainland?”
“We must light a beacon on the shore. Fire is a signal, and some one
will row across to us.”
Public-domain text, read in full here on John Shaqi.
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