Detective and mystery stories; Rouletabille, Joseph (Fictitious character) -- Fiction
only one who was interested in hiding from us that there was another
manifestation of Darzac than the one he himself bore! OF THE TWO
MANIFESTATIONS OF DARZAC, THE FALSE MUST HAVE NECESSARILY BEEN THAT
ONE WHICH LIED! Thus my suspicions were driven away by certainty.
YOU ARE LARSAN! AND THE MAN WHO WAS HIDDEN BEHIND THE PANEL WAS
DARZAC!”
“You lie!” shouted the man (I could not even yet believe him to be
Larsan), hurling himself upon Rouletabille.
But none of us stirred a finger and Rouletabille, who had lost nothing
of his calm demeanor, extended his arm toward the panel and said:
“HE IS BEHIND THE PANEL NOW!”
* * * * *
It was an indescribable scene--a moment never to be forgotten! At the
gesture of Rouletabille, the door of the panel swung open, pushed by an
invisible hand, just as it had been on that terrible night which had
witnessed the mystery of “the body too many.”
And the form of a man appeared. Clamors of surprise, of joy and of
terror filled the Square Tower. The Lady in Black uttered a heart
rending cry: “Robert! Robert! Robert!”
And it was a cry of joy! Two Darzacs before us so exactly similar
that every one of us save the Lady in Black might have been deceived.
But her heart told her the truth, even admitting that her reason,
notwithstanding the triumphant conclusion of Rouletabille, might have
hesitated. Her arms outstretched, her eyes alight with love and joy,
she rushed toward the second manifestation of Darzac--the one which
had descended from the panel. Mathilde’s face was radiant with new
life; her sorrowful eyes which I had so often beheld fixed with sombre
gloom upon _that other_, were shining upon this one with a joy
as glorious as it was tranquil and assured. It was he! It was he whom
she had believed lost--whom she had sought in vain in the visage of
the other and had not found there and, therefore, had accused herself,
during the weary hours of day and night, of folly which was akin to
madness.
Public-domain text, read in full here on John Shaqi.
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