Detective and mystery stories; Rouletabille, Joseph (Fictitious character) -- Fiction
We have seen that the Round Tower had been in years past torn down to
half its former height, as it had been built by the Mortola, according
to plans drawn by Charles the Bold himself, to whom the Seigneur
had been of some service in the Helvetian war. This tower had a
number of tiny chambers above, and an immense octagon chamber below.
One descended into this chamber by a steep and narrow stairway. The
ceiling of the octagon room was supported by four great cylindrical
pillars, and from its walls opened three enormous embrasures for three
enormous cannons. It was of this room that Mme. Edith had wished to
make a dining room, for it was in an admirable state of preservation,
on account of the thickness of the walls, and the light could still
penetrate through the great windows, which had been enlarged and made
square, although they, too, were still guarded by barriers of iron.
This tower (shown on the map at L) was the spot chosen by Mme. Edith’s
uncle for a workshop, and the abiding place of his collection. Its roof
was a beautiful little garden, to which the mistress of the domain had
had transported fertile soil and wonderful plants and flowers. I have
marked upon the map in gray all the portions of the buildings which
Mme. Edith had restored, improved and put in shape for habitation.
Of the château of the Seventeenth Century, known as the New Castle,
they had only repaired two bed chambers on the first floor and a little
sitting room for guests. It was to these that Rouletabille and myself
were assigned, while M. and Mme. Robert Darzac were lodged in the
Square Tower, of which I shall have to give a more special description.
Two rooms, the windows of which opened upon the balcony, were reserved
in this Square Tower for “Old Bob,” who slept there. M. Stangerson was
upon the first floor of “la Louve,” in the rear of the suite occupied
by the Rances.
Mme. Edith herself showed us to our rooms. She made us cross over
the sunken ceilings of ruined apartments, over broken railings and
tumble-down walls; but here and there some mouldy hangings, a broken
statue or a ragged bit of tapestry, bore witness to the ancient
splendors of the New Castle, born of the fantasies of some Mortola of
the wonderful Seventeenth Century. But when we reached them, our little
rooms recalled to us nothing of that magnificent past. They had been
swept and garnished with a care that was almost touching. Clean and
hygienic, without carpets, hangings or upholstered chairs, furnished
in the simplest of modern styles, they pleased us very much. As I have
already said, the two sleeping rooms were separated by a little parlor.
Public-domain text, read in full here on John Shaqi.
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