Clergy -- Fiction; England -- Social life and customs -- 19th century -- Fiction
After a moment's interval Rosa obeyed. She stood up trembling, resting
her hand to support herself on Miss Leonora's chair--almost, she
trembled so, on Miss Leonora's shoulder. Up to this moment the ignorant
little creature had scarcely felt the shame of her position; she had
felt only the necessity of appealing to the kindness of people who knew
her--people who were powerful enough to do very nearly what they pleased
in Carlingford; for it was in this light that Rosa, who knew no better,
regarded the Doctor and her other judges. This time her eye passed
quickly over those protectors. The tears were still hanging on her
eyelashes; her childish bosom was still palpitating with sobs. Beyond
the little circle of light round the table, the room was comparatively
in shadow. She stood by herself, her pretty face and anxious eyes
appearing over Miss Wentworth's head, her fright and her anxiety both
forgotten for the moment in the sudden hope of seeing her betrayer.
There was not a sound in the room to disturb the impartiality of her
search. Every man kept still, as if by chance he might be the offender.
Rosa's eyes, bright with anxiety, with eagerness, with a feverish hope,
went searching into the shadow, gleaming harmless over the Wentworth
brothers, who were opposite. Then there was a start and a loud cry. She
was not ashamed to be led before the old men, who were sorry for her,
and who could protect her; but now at last the instinct of her womanhood
seized upon the unfortunate creature. She had made an involuntary rush
towards him when she saw him first. Then she stopped short, and looked
all round her with a bewildered sudden consciousness. The blood rushed
to her face, scorching and burning; she uttered a sudden cry of anguish
and shame. "Oh, don't forsake me!--don't forsake me!--listen to the
gentlemen!" cried poor Rosa, and fell down in a sudden agony of
self-comprehension at Wodehouse's feet.
Public-domain text, read in full here on John Shaqi.
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